The Siren, the Song, and the Spy by Maggie Tokuda-Hall (review)

Fiona Hartley-Kroeger
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Abstract

Reviewed by: The Siren, the Song, and the Spy by Maggie Tokuda-Hall Fiona Hartley-Kroeger Tokuda-Hall, Maggie The Siren, the Song, and the Spy. Candlewick, 2023 [320p] Trade ed. ISBN 9781536218053 $19.99 Reviewed from digital galleys R Gr. 9-12 With Evelyn and Flora/Florian now together and happily numbered among the Sea's mermaids, Tokuda-Hall broadens the scope of the tale begun in The Mermaid, the Witch, and the Sea (BCCB 6/20), introducing new perspectives to reveal more about the Nipran Empire and the motley, pirate-led coalition bent on bringing it down. Among these are a young girl named Thistle, a sister and brother duo of warrior Kaia and gentle Koa, and characters from the previous volume, most notably Genevieve, apprentice to the formidable but now dead Imperial agent, the Lady Ayer. Once a staunch believer in Imperial superiority and benevolence, Genevieve has a change of heart when she witnesses the massacre of Kaia and Koa's people. Her disillusionment is a hard one, laying bare her naive complicity in the lies and atrocities Nipran is built on, and Genevieve becomes (both directly and indirectly) the pivot upon which world-altering events turn. As in the first volume, the diversity of the archipelagic world is again proudly, organically on display, with a variety of nationalities and cultural experiences shaping characters' relationships to the Empire. Though the sheer number of perspectives may daunt some readers, the polyphony is precisely what enables the nuanced exploration of colonialism and realistic plurality of gender identities and sexualities. In the face of this bounty, a few plot contrivances and rough edges in the prose and pacing are eminently forgivable. Most importantly, the novel's decolonial imagination challenges readers to re-envision received notions of power, accountability, compassion, grief, liberty, and resistance. Copyright © 2023 The Board of Trustees of the University of Illinois
玛姬·德田霍尔《海妖、歌与间谍》(书评)
书评:《海妖、歌和间谍》作者:玛吉·德田霍尔菲奥娜·哈特利-克罗格·德田霍尔《玛吉:海妖、歌和间谍》随着伊夫林和弗洛拉/弗洛里安现在在一起,幸福地成为海中的美人鱼,德田霍尔扩大了《美人鱼、女巫和海》(BCCB 6/20)中开始的故事的范围,引入了新的视角,揭示了更多关于尼普兰帝国的信息,以及由海盗领导的形形色色的联盟,他们决心要把它打倒。其中包括一个名叫蓟的年轻女孩,战士凯阿和温柔的科阿的姐弟二人组,以及前一卷中的人物,最著名的是吉纳维芙,她是强大但现已去世的帝国特工艾耶夫人的学徒。吉纳维芙曾经是帝国优越感和仁慈的坚定信徒,但当她目睹了对Kaia和Koa族人的屠杀时,她改变了主意。她的幻灭是艰难的,暴露了她在谎言和暴行中天真的同谋,而吉纳维芙(直接或间接)成为改变世界的事件的枢纽。和第一卷一样,群岛世界的多样性再次被骄傲地、有机地展示出来,不同的民族和文化经历塑造了人物与帝国的关系。虽然观点的数量之多可能会让一些读者望而却步,但正是这种复调使得对殖民主义和性别认同和性取向的现实多元化的细致探索成为可能。面对如此丰厚的赏金,一些情节设计和散文和节奏上的粗糙边缘是可以原谅的。最重要的是,这部小说的非殖民化想象力让读者重新设想权力、责任、同情、悲伤、自由和抵抗等传统观念。版权所有©2023伊利诺伊大学董事会
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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