When Ghosts Call Us Home by Katya De Becerra (review)

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Abstract

Reviewed by: When Ghosts Call Us Home by Katya De Becerra Kate Quealy-Gainer, Editor De Becerra, Katya When Ghosts Call Us Home. Page Street, 2023 [368p] Trade ed. ISBN 9781645679639 $18.99 E-book ed. ISBN 9781645679646 $9.99 Reviewed from digital galleys R Gr. 9-12 At just twelve years old, Sophia Galich starred in her sister Layla's found footage horror movie Vermillion, which launched them—but more so Layla—to a cult-like status in the horror world and brought about an obsessive fandom. Layla always assured Sophia that she was perfectly safe, and that the film's central ghost was just [End Page 54] a very well-designed prop. But five years later, Layla has gone missing, and Sophia can't help wondering if it has something to do with Cashore House, the backdrop to their movie and the site of a decades-old tragedy. Sophia agrees to return to Cashore House with director Erasmus Sawyer, who plans to recreate the scenes from Vermillion as both a sequel and homage, and it soon becomes clear to Sophia that her sister put her in far more danger than either thought, both then and now. An expertly calibrated pace builds tension, maximizing the moody atmosphere between the nightmarish encounters with the ghost to keep readers constantly on edge. The descriptions of Cashore's ghost are visceral and specific, calling up the lanky-haired, haunting spirit from The Ring while giving her a distinct and terrifying sense of demonic agency. De Becerra (Oasis, BCCB 12/19) also explores non-supernatural scares in Sophia's lingering trauma from her childhood role and in her recognition that her sister is more complicated than the idol Sophia built her to be—memories, it turns out, can be just as tricky as restless spirits and just as haunting. Copyright © 2023 The Board of Trustees of the University of Illinois
《当鬼魂呼唤我们回家》作者:卡蒂亚·德·贝塞拉
凯特·奎利-盖纳,编辑德·贝塞拉,《当鬼魂呼唤我们回家》。9-12岁时,索菲娅·加利奇主演了她姐姐蕾拉的恐怖电影《朱米恩》,这部电影让她们——尤其是蕾拉——在恐怖世界中获得了邪教般的地位,并带来了狂热的粉丝。蕾拉总是向索菲亚保证,她是绝对安全的,电影的中心鬼魂只是一个精心设计的道具。但五年后,蕾拉失踪了,索菲亚不禁想知道这是否与卡索屋有关,卡索屋是他们电影的背景,也是几十年前悲剧的发生地。索菲亚同意和导演伊拉斯谟·索耶一起回到卡索尔之家,伊拉斯谟·索耶计划将《朱米伦》的场景作为续集和致敬,索菲亚很快就明白了,她的妹妹把她置于比她想象的更危险的境地,无论是当时还是现在。精心调整的节奏营造出紧张感,在与鬼魂噩梦般的相遇之间最大限度地营造出喜怒无常的氛围,让读者时刻处于紧张状态。对卡索的鬼魂的描述是发自内心的、具体的,让人想起《指环王》中那个头发瘦长、挥之不去的幽灵,同时给她一种独特而可怕的恶魔代理权感。德·贝塞拉(《绿洲》,BCCB 12/19)也探索了非超自然的恐惧,在索菲亚童年角色带来的挥之不去的创伤中,在她认识到她的妹妹比索菲亚塑造她的偶像更复杂的过程中——记忆,事实证明,可以像不安的灵魂一样棘手,同样令人难以忘怀。版权所有©2023伊利诺伊大学董事会
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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