In the Heat of the Moment: Testing Fire-Protective Covers for Mitigating Damage to Large Historic Inventories

IF 0.8 4区 化学 0 ARCHAEOLOGY
Nina Kjølsen Jernæs, Ragni Fjellgaard Mikalsen
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引用次数: 0

Abstract

Since the 1990s, the Norwegian management for cultural heritage has increased its focus on finding effective solutions for protecting Norway’s wooden cultural heritage from fire damage. The medieval churches in general, including the wooden stave churches, with their interiors and inventories, are of special interest. However, the usefulness of protecting valuable interiors and inventories when fighting fire has been questioned. An experiment was carried out to find manageable solutions for protecting large inventories by using fire covers in case of fire. An experiment using seven commercially available products was conducted by fire fighters to investigate whether these products could protect historic interiors from water and fire. The preliminary results show that it is possible to find manageable, large format covers for the protection of large, immovable historic inventories.
在紧要关头:测试防火盖以减轻对大型历史库存的损害
自20世纪90年代以来,挪威的文化遗产管理部门更加注重寻找有效的解决方案,以保护挪威的木制文化遗产免受火灾的破坏。一般来说,中世纪教堂,包括木质木板教堂,以及它们的内部和库存,都是特别有趣的。然而,在灭火时保护有价值的室内物品和存货的有用性受到质疑。为寻找在火灾情况下使用防火罩保护大型库存的可行解决方案,进行了一项实验。消防队员使用七种市售产品进行了一项实验,以调查这些产品是否可以保护历史悠久的室内建筑免受水和火的侵害。初步结果表明,为保护大型、不可移动的历史文物,有可能找到可管理的大幅面覆盖物。
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来源期刊
Studies in Conservation
Studies in Conservation 化学-分析化学
CiteScore
1.80
自引率
12.50%
发文量
73
审稿时长
>12 weeks
期刊介绍: Studies in Conservation is the premier international peer-reviewed journal for the conservation of historic and artistic works. The intended readership includes the conservation professional in the broadest sense of the term: practising conservators of all types of object, conservation, heritage and museum scientists, collection or conservation managers, teachers and students of conservation, and academic researchers in the subject areas of arts, archaeology, the built heritage, materials history, art technological research and material culture. Studies in Conservation publishes original work on a range of subjects including, but not limited to, examination methods for works of art, new research in the analysis of artistic materials, mechanisms of deterioration, advances in conservation practice, novel methods of treatment, conservation issues in display and storage, preventive conservation, issues of collection care, conservation history and ethics, and the history of materials and technological processes. Scientific content is not necessary, and the editors encourage the submission of practical articles, review papers, position papers on best practice and the philosophy and ethics of collecting and preservation, to help maintain the traditional balance of the journal. Whatever the subject matter, accounts of routine procedures are not accepted, except where these lead to results that are sufficiently novel and/or significant to be of general interest.
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