{"title":"“No wonder you have a diversity problem”: Hollywood’s systemic gatekeeping against assistants of color","authors":"Kiah E Bennett","doi":"10.1093/ccc/tcad027","DOIUrl":null,"url":null,"abstract":"Abstract This article examines the experiences of Black, Indigenous, and/or people of color (BIPOC) assistants in Hollywood, focusing on those who work for above-the-line creatives and executives. I argue that despite Hollywood industry’s commitment to diversity, equity, and inclusion, the logics and mechanisms of whiteness remain deeply ingrained in Hollywood’s treatment of entry-level workers. The article is divided into three sections: first, it historicizes post-Civil Rights Hollywood and maps it onto present-day US and Hollywood cultural whiteness; second, it analyzes how Hollywood industry gatekeeps BIPOC assistants using interviews, demographic information, and survey responses; and finally, it considers ways to create more equitable working structures within Hollywood. The article highlights the unpublicized harm behind entertainment media and the need for greater attention to the experiences of BIPOC workers in Hollywood.","PeriodicalId":54193,"journal":{"name":"Communication Culture & Critique","volume":"36 1","pages":"0"},"PeriodicalIF":1.5000,"publicationDate":"2023-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Communication Culture & Critique","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/ccc/tcad027","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This article examines the experiences of Black, Indigenous, and/or people of color (BIPOC) assistants in Hollywood, focusing on those who work for above-the-line creatives and executives. I argue that despite Hollywood industry’s commitment to diversity, equity, and inclusion, the logics and mechanisms of whiteness remain deeply ingrained in Hollywood’s treatment of entry-level workers. The article is divided into three sections: first, it historicizes post-Civil Rights Hollywood and maps it onto present-day US and Hollywood cultural whiteness; second, it analyzes how Hollywood industry gatekeeps BIPOC assistants using interviews, demographic information, and survey responses; and finally, it considers ways to create more equitable working structures within Hollywood. The article highlights the unpublicized harm behind entertainment media and the need for greater attention to the experiences of BIPOC workers in Hollywood.
期刊介绍:
CCC provides an international forum for critical research in communication, media, and cultural studies. We welcome high-quality research and analyses that place questions of power, inequality, and justice at the center of empirical and theoretical inquiry. CCC seeks to bring a diversity of critical approaches (political economy, feminist analysis, critical race theory, postcolonial critique, cultural studies, queer theory) to bear on the role of communication, media, and culture in power dynamics on a global scale. CCC is especially interested in critical scholarship that engages with emerging lines of inquiry across the humanities and social sciences. We seek to explore the place of mediated communication in current topics of theorization and cross-disciplinary research (including affect, branding, posthumanism, labor, temporality, ordinariness, and networked everyday life, to name just a few examples). In the coming years, we anticipate publishing special issues on these themes.