Media Culture, Politics, and Society

Douglas Kellner
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Abstract

From the 1960s to the present, media culture in the United States has been a battleground between competing social groups with some artifacts advancing liberal or radical positions and others conservative ones. Likewise, some artifacts of media culture promote progressive positions and representations of gender, sexual preference, race or ethnicity, while others articulate reactionary forms of racism, sexism, homophobia, and rightwing values and beliefs, thus many films articulate a contradictory matrix of liberal, radical, and reactionary representations, discourses, and narratives. In this article, I argue that media culture can provide important insights into the psychological, socio-political, and ideological make-up of U.S. society at a given point in history. Reading culture diagnostically allows one to gain insights into social problems and conflicts, and to appraise the dominant ideologies and emergent oppositional forces. This approach thus involves a dialectic of text and context, using texts to read social realities and context to help situate and interpret key artifacts of media culture in the 21st century.
媒体文化、政治与社会
从20世纪60年代至今,美国的媒体文化一直是相互竞争的社会群体之间的战场,一些人主张自由或激进的立场,而另一些人则主张保守的立场。同样,媒体文化的一些产物促进了性别、性偏好、种族或民族的进步立场和表现,而另一些则表达了种族主义、性别歧视、同性恋恐惧症和右翼价值观和信仰的反动形式,因此许多电影表达了自由、激进和反动的表现、话语和叙事的矛盾矩阵。在这篇文章中,我认为媒体文化可以为了解特定历史时期美国社会的心理、社会政治和意识形态构成提供重要的见解。诊断性地阅读文化可以让一个人洞察社会问题和冲突,并评估主导意识形态和新兴的反对力量。因此,这种方法涉及文本和语境的辩证法,使用文本来解读社会现实和语境,以帮助定位和解释21世纪媒体文化的关键产物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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