Figure and Field in the Anthropocene

IF 0.6 0 ARCHAEOLOGY
Jeffrey Benjamin
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引用次数: 0

Abstract

The following thoughts will inevitably find themselves in the service of a central idea: the creation of a discursive common ground – that is, the production of a set of assumptions, beliefs and common terms that find acceptance and use, and which form the basis for conversation and dialogue. So, in the simple act of gathering a group of essays under the title “Making Ground”, we have created a discursive commons that allows discrete and unique thoughts and ideas to find expression. This notion – the creation of a discursive commons – is the guiding theme of this essay, where it begins and where it will end. It is also very important to note that (although I do not think it is the case in this instance) a discursive commons can be created through evasion as much as through attraction: by advancing or proposing a theme that is somehow repellant to an existing field of discourse, a new common ground can be created. Therefore, the overt rejection of a discursive commons, or the rejection of a conceptual assertion, in many ways serves the same purpose as its acceptance.
人类世的图与场
下面的思想将不可避免地为一个中心思想服务:创造一个话语的共同基础——也就是说,产生一套假设、信念和共同的术语,这些假设、信仰和术语被接受和使用,它们构成了对话和对话的基础。因此,通过收集一组标题为“Making Ground”的文章的简单行为,我们创造了一个话语公地,让离散的和独特的思想和想法得到表达。这个概念——创造一个话语的公地——是这篇文章的指导主题,从这里开始,也将在这里结束。同样值得注意的是(尽管我不认为在这种情况下是这样),通过回避和吸引,可以创造出话语的共同性:通过推进或提出一个与现有话语领域有某种排斥关系的主题,可以创造出一个新的共同点。因此,公开地拒绝一个话语公地,或者拒绝一个概念性的断言,在很多方面与接受它的目的是一样的。
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来源期刊
CiteScore
1.20
自引率
0.00%
发文量
14
期刊介绍: The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.
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