Documentary-Warm-Restrained: An Interpretation of the Aesthetic Style of the Long Take in Hirokazu Koreeda's Films

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Abstract

Director Hirokazu Koreeda's films are unique in their documentary aesthetic style, which is somber and simple, calm and warm, and plainly realistic. In terms of content expression, he uses skillful and delicate expressions such as long takes, fixed lens, slow editing, and horizontal composition to dilute the traces of directorial creation, get rid of the constraints of techniques, and exude natural emotions, forming a unique social concern for the marginalized characters at the bottom of the hierarchy. In the study of Koreeda's films, three keywords are extracted: life, conflict, and death. Through analyzing representative long take paragraphs, I interpret his documentary, warm and restrained long take aesthetics. Koreeda uses long takes to show the beauty of Japanese life, eliminate family conflicts, and reflect on the issue of death, which can provide multiple perspectives of the film's rhythmic ambience, emotional expression, and marginal narrative for a deeper understanding of his films.
纪实-温暖-克制:是枝裕和电影长镜头的美学风格解读
是枝裕和导演的电影在纪实美学风格上独树一帜,深沉质朴、冷静温暖、质朴写实。在内容表现上,他运用长镜头、固定镜头、慢剪辑、横向构图等娴熟细腻的表现手法,淡化导演创作的痕迹,摆脱技术的束缚,流露出自然的情感,形成了对底层边缘人物独特的社会关怀。在对是枝裕和电影的研究中,提取了三个关键词:生命、冲突和死亡。通过对具有代表性的长镜头段落的分析,解读其纪实、温馨、内敛的长镜头美学。是枝裕和通过长镜头展现了日本人的生活之美,消除了家庭矛盾,并对死亡问题进行了反思,这可以从多个角度了解影片的节奏氛围、情感表达和边缘叙事,从而更深入地理解他的电影。
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