Noisy Omens and Enslaved Gods

IF 0.4 3区 历史学 0 CLASSICS
Matthieu Réal
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引用次数: 0

Abstract

Abstract I offer a reconsideration of Zoilus’ treatise Against Homer’s Poetry . Two fragments of this work, F9a and F14 Fogagnolo, especially showcase Zoilus’ significance in the context of ancient literary criticism. F9a is usually considered a sarcastic comment on Homer’s lack of realism. I propose instead that it is a critique of the way the poet crafted the bird omen of Il. 10.174-177: Zoilus regarded the omen as a symbolic device and focused on the details of the analogical relationship between interpretandum and the interpretamentum . I also suggest that Aristotle F369 Gigon may have originated as a defense of Homer against one of Zoilus’ criticisms. Through a new translation of F14, I show that Zoilus did not content himself with analyzing problematic lines of Homer in isolation, but also assessed passages of the poem in light of other relevant passages within the same poem. In short, he criticized Homer from Homer .
嘈杂的预兆和被奴役的神
摘要本文对索伊拉斯的《反荷马诗论》进行了重新思考。这部作品的两个片段,F9a和F14 Fogagnolo,特别展示了Zoilus在古代文学批评背景下的重要性。F9a通常被认为是对荷马缺乏现实主义的讽刺。相反,我认为这是对诗人在Il, 10, 174-177中描述鸟的预兆的批评:,苏伊卢斯把预兆看作是一种象征性的手段,并专注于解释和解释之间类比关系的细节。我也认为亚里士多德的f369gigon,可能起源于对荷马的辩护,反对索伊勒斯的批评。通过对F14的新翻译,我表明Zoilus并不满足于孤立地分析荷马的有问题的诗句,而是根据同一首诗中的其他相关段落来评估这首诗的段落。简而言之,他从荷马的角度来批评荷马。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
MNEMOSYNE
MNEMOSYNE CLASSICS-
CiteScore
0.50
自引率
0.00%
发文量
50
期刊介绍: Since its first appearance as a journal of textual criticism in 1852, Mnemosyne has secured a position as one of the leading journals in its field worldwide. Its reputation is built on the Dutch academic tradition, famous for its rigour and thoroughness. It attracts contributions from all over the world, with the result that Mnemosyne is distinctive for a combination of scholarly approaches from both sides of the Atlantic and the Equator. Its presence in libraries around the globe is a sign of its continued reputation as an invaluable resource for scholarship in Classical studies.
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