Encountering the Tsar

Q3 Social Sciences
Karina Lukin
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引用次数: 0

Abstract

This article discusses Nenets epic songs, focusing on two texts collected at the beginning of the twentieth century in relation to the divergent historicities they represent. The process of gathering and publishing folklore is analysed as folklorisation, whereby the texts have come to represent a negation of the modern, but not giving voice to the singers or their communities. Nenets epic songs have served Finnish nationalism and Russian imperialism in creating hierarchies between Finns and their linguistic relatives and between different Russian ethnic groups, including Russians and the Nenets. The process of traditionalisation is discussed as a local strategy of recreating meaningful narration that relates both to tradition and other contextually relevant discourses. The songs discussed are shown to depict not specific past events, but rather Nenets historical experiences and understandings about their subaltern position and agency within the imperial context. Keywords: Nenets, epic poetry, historicity, folklorisation, traditionalisation, imperialism
遇见沙皇
这篇文章讨论涅涅茨史诗歌曲,集中在20世纪初收集的两个文本,与它们所代表的不同历史有关。收集和出版民间传说的过程被分析为民俗化,由此文本已经代表了对现代的否定,但不给歌手或他们的社区发声。涅涅茨人的史诗歌曲为芬兰民族主义和俄罗斯帝国主义服务,在芬兰人和他们的语言亲戚之间,以及俄罗斯不同的民族群体之间,包括俄罗斯人和涅涅茨人之间,建立了等级制度。传统化的过程是作为一种重新创造有意义的叙事的本地策略来讨论的,这种叙事既与传统有关,也与其他语境相关的话语有关。所讨论的歌曲不是描述特定的过去事件,而是涅涅茨人的历史经历和对他们在帝国背景下的次等地位和代理的理解。关键词:涅涅茨人,史诗,历史性,民俗化,传统化,帝国主义
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Suomen Antropologi
Suomen Antropologi Social Sciences-Anthropology
CiteScore
0.40
自引率
0.00%
发文量
22
审稿时长
26 weeks
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