Hope in a Collapsing World: Youth, Theatre, and Listening as a Political Alternative by Kathleen Gallagher and Andrew Kushnir (review)

Caitlin A. Kane
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Following an ambitious five-year ethnographic study carried out at five sites around the world, Gallagher and Kushnir offer a compelling defense of theatre education’s relevance in the twenty-first century and a useful model for interdisciplinary ethnographic research with and about young people. Hope in a Collapsing World pairs Gallagher’s insights as the lead social scientist for the Radical Hope Project (the name that she and her colleagues gave their five-year study) with Kushnir’s verbatim play, Towards Youth, which transforms his observations from the study into a moving exploration of relational ethics in educational theatre and ethnographic research. The book is divided into two parts. Part 1 consists of seven chapters focused on Gallagher’s findings and part 2 includes Kushnir’s critical introduction to his play and the script used for its 2019 premiere. In a brief prologue, Gallagher lays out her primary claims and describes her motivations for writing Hope in a Collapsing World, which is the second monograph to result from the Radical Hope Project. While the first monograph, Global Youth Citizenry and Radical Hope: Enacting Community-Engaged Research through Performative Methodologies, features chapters by scholars from the study’s five research sites, this new text centers Gallagher’s perspective and challenges readers to reconsider how theatre education contributes to students’ civic development. Gallagher’s research suggests that, although we often focus on theatre’s ability to instill confidence in young people, the value of educational theatre stems from its ability to reduce students’ insecurity. She contends that a sense of security enables young people to tune in and respond to the needs of those around them. Chapters 1, 2, and 3 describe the Radical Care Project in depth. In chapter 1, Gallagher provides a literature review focused on the role that listening and care play in democratic processes. In chapter 2, she describes each of the five sites involved in the study: an after-school program for junior high students in Athens, Greece; an all-girls school that uses drama throughout the curriculum in Lucknow, India; a youth theatre group associated with the University of Warwick in Coventry, England; a university drama program in Tainan, Taiwan; and a high school drama classroom in Toronto, Canada. Despite the differences across these sites, the young people who participated in the study all faced systemic issues [End Page 86] that created a sense of precarity in their lives. In chapter 3, Gallagher details the collaborative ethnographic research methods that she and her colleagues used and outlines their research objectives. In chapters 4, 5, and 6, Gallagher provides a thematically organized overview of the study’s qualitative results. Each chapter features an example of how young people at one of the research sites cultivated care, hope, or interdependency (the themes of the three chapters, respectively) and is supplemented with shorter anecdotes from some of the other sites. Offering detailed accounts of students in Greece who created imaginative theatrical works for young refugees and of teenagers in the United Kingdom who listened attentively to one another’s divergent views on the Brexit referendum, Gallagher demonstrates how acts of care inspire more hopeful understandings of oneself and of the world. In chapter 7, Gallagher summarizes the quantitative results gathered from a survey completed by participants at all five sites. Unlike the comparative framework used in many international studies that emphasizes researchers’ (in)ability to generalize across different sites, Gallagher and her colleagues developed a mixed-methods survey that aimed to “allow...","PeriodicalId":488979,"journal":{"name":"Journal of dramatic theory and criticism","volume":"283 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of dramatic theory and criticism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/dtc.2023.a912012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

Reviewed by: Hope in a Collapsing World: Youth, Theatre, and Listening as a Political Alternative by Kathleen Gallagher and Andrew Kushnir Caitlin A. Kane Hope in a Collapsing World: Youth, Theatre, and Listening as a Political Alternative. By Kathleen Gallagher with Andrew Kushnir. University of Toronto Press, 2022. Paper $39.95. 424 pages. 34 illustrations. What can theatre offer young people living in a seemingly perpetual state of crisis? Why does theatre education matter in an era characterized by political polarization, racial and economic inequality, and climate change? These are some of the questions that Kathleen Gallagher and Andrew Kushnir take up in Hope in a Collapsing World: Youth, Theatre, and Listening as a Political Alternative. Following an ambitious five-year ethnographic study carried out at five sites around the world, Gallagher and Kushnir offer a compelling defense of theatre education’s relevance in the twenty-first century and a useful model for interdisciplinary ethnographic research with and about young people. Hope in a Collapsing World pairs Gallagher’s insights as the lead social scientist for the Radical Hope Project (the name that she and her colleagues gave their five-year study) with Kushnir’s verbatim play, Towards Youth, which transforms his observations from the study into a moving exploration of relational ethics in educational theatre and ethnographic research. The book is divided into two parts. Part 1 consists of seven chapters focused on Gallagher’s findings and part 2 includes Kushnir’s critical introduction to his play and the script used for its 2019 premiere. In a brief prologue, Gallagher lays out her primary claims and describes her motivations for writing Hope in a Collapsing World, which is the second monograph to result from the Radical Hope Project. While the first monograph, Global Youth Citizenry and Radical Hope: Enacting Community-Engaged Research through Performative Methodologies, features chapters by scholars from the study’s five research sites, this new text centers Gallagher’s perspective and challenges readers to reconsider how theatre education contributes to students’ civic development. Gallagher’s research suggests that, although we often focus on theatre’s ability to instill confidence in young people, the value of educational theatre stems from its ability to reduce students’ insecurity. She contends that a sense of security enables young people to tune in and respond to the needs of those around them. Chapters 1, 2, and 3 describe the Radical Care Project in depth. In chapter 1, Gallagher provides a literature review focused on the role that listening and care play in democratic processes. In chapter 2, she describes each of the five sites involved in the study: an after-school program for junior high students in Athens, Greece; an all-girls school that uses drama throughout the curriculum in Lucknow, India; a youth theatre group associated with the University of Warwick in Coventry, England; a university drama program in Tainan, Taiwan; and a high school drama classroom in Toronto, Canada. Despite the differences across these sites, the young people who participated in the study all faced systemic issues [End Page 86] that created a sense of precarity in their lives. In chapter 3, Gallagher details the collaborative ethnographic research methods that she and her colleagues used and outlines their research objectives. In chapters 4, 5, and 6, Gallagher provides a thematically organized overview of the study’s qualitative results. Each chapter features an example of how young people at one of the research sites cultivated care, hope, or interdependency (the themes of the three chapters, respectively) and is supplemented with shorter anecdotes from some of the other sites. Offering detailed accounts of students in Greece who created imaginative theatrical works for young refugees and of teenagers in the United Kingdom who listened attentively to one another’s divergent views on the Brexit referendum, Gallagher demonstrates how acts of care inspire more hopeful understandings of oneself and of the world. In chapter 7, Gallagher summarizes the quantitative results gathered from a survey completed by participants at all five sites. Unlike the comparative framework used in many international studies that emphasizes researchers’ (in)ability to generalize across different sites, Gallagher and her colleagues developed a mixed-methods survey that aimed to “allow...
《崩溃世界的希望:青年、戏剧和倾听作为一种政治选择》作者:凯瑟琳·加拉格尔、安德鲁·库什尼尔
书评:《崩溃世界中的希望:青年、戏剧和倾听作为一种政治选择》,作者:凯瑟琳·加拉格尔和安德鲁·库什尼尔凯瑟琳·加拉格尔与安德鲁·库什尼尔合作。多伦多大学出版社,2022年。论文39.95美元。424页。34岁的插图。戏剧能为生活在似乎永远处于危机状态中的年轻人提供什么?为什么戏剧教育在一个以政治两极分化、种族和经济不平等以及气候变化为特征的时代如此重要?这些是Kathleen Gallagher和Andrew Kushnir在《崩溃世界的希望:青年、戏剧和作为政治选择的倾听》一书中提出的一些问题。Gallagher和Kushnir在世界各地的五个地点进行了为期五年的雄心勃勃的民族志研究,为戏剧教育在21世纪的相关性提供了令人信服的辩护,并为跨学科的民族志研究提供了有用的模型。《崩塌世界的希望》将Gallagher作为激进希望项目(Radical Hope Project)(她和她的同事们为他们为期五年的研究取的名字)的首席社会科学家的见解与Kushnir的逐字剧本《走向青年》(Towards Youth)结合在一起,该书将Gallagher从研究中的观察转化为对教育戏剧和民族志研究中关系伦理的感人探索。这本书分为两部分。第一部分由七个章节组成,重点介绍了加拉格尔的发现,第二部分包括库什尼尔对他的戏剧的批判性介绍和2019年首演使用的剧本。在简短的序言中,Gallagher列出了她的主要主张,并描述了她写《崩溃世界中的希望》的动机,这是激进希望项目的第二本专著。虽然第一本专著《全球青年公民和激进的希望:通过表演方法制定社区参与研究》的章节由来自该研究的五个研究地点的学者撰写,但这本新文本以加拉格尔的观点为中心,并挑战读者重新考虑戏剧教育如何有助于学生的公民发展。Gallagher的研究表明,尽管我们经常关注戏剧给年轻人灌输信心的能力,但教育戏剧的价值源于它减少学生不安全感的能力。她认为,安全感使年轻人能够关注并回应周围人的需求。第1、2和3章深入描述了根治性护理项目。在第一章中,Gallagher对倾听和关怀在民主进程中的作用进行了文献回顾。在第二章中,她描述了参与这项研究的五个地点:希腊雅典的一个初中学生课后项目;印度勒克瑙的一所女子学校在整个课程中使用戏剧;与英国考文垂华威大学有联系的青年戏剧团体;台湾台南大学戏剧课程;以及加拿大多伦多的一所高中戏剧教室。尽管这些地区存在差异,但参与研究的年轻人都面临着系统性问题,这些问题在他们的生活中产生了一种不稳定感。在第三章中,Gallagher详细介绍了她和她的同事使用的合作人种学研究方法,并概述了他们的研究目标。在第4、5和6章中,Gallagher对研究的定性结果进行了主题组织概述。每一章都以一个例子为特色,说明其中一个研究地点的年轻人如何培养关怀、希望或相互依赖(分别是三章的主题),并辅以其他一些地点的简短轶事。加拉格尔详细描述了希腊的学生为年轻的难民创作富有想象力的戏剧作品,以及英国的青少年在英国脱欧公投中倾听彼此的不同观点,展示了关怀的行为如何激发对自己和世界更有希望的理解。在第7章中,Gallagher总结了从所有五个地点的参与者完成的调查中收集的定量结果。与许多国际研究中使用的比较框架不同,Gallagher和她的同事开发了一种混合方法的调查,旨在“允许……
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