Thornton Wilder on Inculturation

John P. Mcintyre
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Abstract

Abstract Although not an explicit theme except in his essays, the affirmation of the democratic principle in modern society can be found throughout Thornton Wilder’s novels and plays. The hierarchy of class structure is undermined in his first, fifth, and last novels: The Cabala, The Ides of March, and Theophilus North. By the end of all three, the old power structure is at least temporarily suspended. In The Bridge of San Luis Rey, Our Town, and The Eighth Day, not only is it shown that death is the great equalizer, but also that the ordinary has as much value as the extraordinary. Finally, the possibility of transformation—from intolerance to tolerance—is dramatized in The Woman of Andros, Heaven’s My Destination, and The Matchmaker.
桑顿·怀尔德谈本土化
桑顿·怀尔德的小说和戏剧虽然没有明确的主题,但对现代社会民主原则的肯定贯穿始终。在他的第一部、第五部和最后一部小说《卡巴拉》、《三月Ides》和《Theophilus North》中,阶级结构的等级制度受到了破坏。在这三部电影的最后,旧的权力结构至少暂时被搁置了。在《圣路易斯雷伊桥》、《我们的小镇》和《第八天》中,不仅表明死亡是伟大的均衡器,而且表明平凡与非凡同样有价值。最后,转变的可能性——从不宽容到宽容——在《安德罗斯的女人》、《天堂的归宿》和《媒人》中得到了戏剧化的体现。
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