Cooking the Cosmic Soup: Vincent Moon's Altered States of Live Cinema

IF 0.3 4区 哲学 0 PHILOSOPHY
Amir Vudka
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引用次数: 1

Abstract

The films and live cinema of Vincent Moon are considered in this chapter as ‘psychedelic’: a form of filmmaking and film performances that can open the doors of perception to invisible realms of percepts, affects and durations that are beyond or below ordinary human perception. According to Paul Schrader, films can evoke such spiritual dimensions, in particular through what he called the transcendental style of film, and what Gilles Deleuze termed the time-image. As an audio-visual ethnographer of world religions who is distinctly influenced by shamanic and animistic traditions, Moon brings the transcendental style back to its plane of immanence. His live cinema performances have a ritualistic and ecstatic aspect that recalls the esoteric history of haunted media. Moon's enthralling film performances induce altered states of mind, tap into spiritual realities and immerse the audience in magic.
烹饪宇宙汤:文森特·月亮的现场电影的改变状态
文森特·穆恩的电影和现场电影在本章中被认为是“迷幻的”:一种电影制作和电影表演的形式,可以打开感知的大门,进入超越或低于普通人类感知的无形感知领域,影响和持续时间。根据Paul Schrader的观点,电影可以唤起这样的精神维度,特别是通过他所说的电影的先验风格,以及Gilles Deleuze所说的时间意象。作为一个深受萨满教和万物有灵论传统影响的世界宗教的视听民族志学者,穆恩将先验风格带回到其内在的层面。他的现场电影表演有一种仪式和狂喜的一面,让人想起闹鬼媒体的深奥历史。文在寅的电影表演引人入胜,能让观众改变心境,进入精神世界,沉浸在魔法中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
38
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