On the Deeply Moving and the Merely Touching

IF 0.7 1区 艺术学 0 ART
Eric Cullhed
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引用次数: 0

Abstract

Abstract Critics often link yet distinguish between ‘moving’ and ‘touching’ characters, scenes and artworks. It has been argued that being moved is a specific emotion, that its formal object is the thin goodness of exemplified final, important and impersonal thick values, and that being touched is an attenuated form of that phenomenon. First, I dispute that the values that move us must be impersonal, since we can be moved by the personal goodness of being loved, free or healthy. Second, I argue that being touched should be considered a distinct emotion type. To support this claim, I refer to apparent differences between the formal objects that the two affective phenomena relate to as well as to dissimilarities in cognitive sophistication and phenomenology. I suggest that we are touched by that which invites love. Vulnerable, innocently suffering and affectionate beings are touching insofar as they need and will be responsive to love.
论感人与平淡
评论家经常将“动人”和“感人”的人物、场景和艺术作品联系起来,并加以区分。有人认为,被感动是一种特殊的情感,它的形式对象是最终的、重要的、非个人的、厚重的价值的体现,而被触摸是这种现象的弱化形式。首先,我不认为打动我们的价值观一定是非个人的,因为我们可以被被爱、自由或健康的个人美德所打动。其次,我认为被触摸应该被视为一种独特的情感类型。为了支持这一说法,我提到了这两种情感现象所涉及的形式对象之间的明显差异,以及认知复杂性和现象学上的差异。我建议我们被那些吸引爱的东西所感动。脆弱的、无辜的、受苦的、有感情的人,只要他们需要,就会被感动,并且会对爱做出反应。
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来源期刊
CiteScore
1.60
自引率
37.50%
发文量
45
期刊介绍: Founded in 1960, the British Journal of Aesthetics is highly regarded as an international forum for debate in philosophical aesthetics and the philosophy of art. The Journal is published to promote the study and discussion of philosophical questions about aesthetic experience and the arts. Appearing quarterly - in January, April, July, and October - it publishes lively and thoughtful articles on a broad range of topics from the nature of aesthetic judgement and the principles of art criticism to foundational issues concerning the visual arts, literature, music, dance, film, and architecture.
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