A Fable of the Anthropocene: The Disturbing Naturalist Humanity in Frank Norris’s The Octopus

IF 0.2 3区 文学 0 LITERATURE, AMERICAN
Daichi Sugai
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However, Norris’s use of force was influenced by nineteenth-century thermodynamics, and its sociological adaptations diverge into representations of several laws, such as the law of biological reproduction, heterosexual love, and the marketplace.1 For instance, Presley contemplates, “FORCE that brought men into the world, FORCE that crowded them out of it to make way for the succeeding generation, FORCE that made the wheat grow” (1084). Norris uses erotic and heterosexual metaphors to describe the cultivation of land and regards plowing as a heterosexual love affair of the “two world-forces, the elemental Male and Female” (680). Shelgrim, the president of the railroad, says in a conversation with Presley, “The Wheat is one force, the Railroad, another, and there is the law that governs them—supply and demand” (1037). Although Norris’s employment of force ramifies into several leitmotifs, they share the same basis that individual power cannot resist a current of environmental or “natural” forces beyond human agency. This naturalist concept—the “discourse of force” in Mark Seltzer’s terms (29)—deprives humans of their free will and reduces them to a part of an indifferent system of force. No wonder Walter Benn Michaels dismisses the relationship between the naturalist [End Page 143] force and individual power in The Octopus as follows: “The point is not simply that human agents are less powerful than nature but that, reduced to the ‘forces’ they really are, human agents are not agents at all” (201).2 I argue, however, that—considering the Anthropocene debate in recent years—force in literary naturalism is not a natural occur-rence independent of human activities; instead, individual power fortifies the naturalist force. Although June Howard points out that naturalist novels dramatize the “antinomy between fate and hope, between determinism and human will” (39), I believe Norris’s naturalist idea of force exhibits not so much antinomy as a conspiracy between deterministic environmental force and individual power. The term “Anthropocene” designates a period in geological time in which humans have come to play a definitive and crucial role in the planet’s ecology. Although there are arguments regarding its time frame, this time frame can be compellingly situated as the beginning of the industrial revolution, when the human impact on Earth reached unprecedented intensity (Bonneuil and Fressoz 50; Clark 1–2; Glaser et al. 6; Morton 4–5).3 Given that the Anthropocene undermines the difference between the geological time scale and human history, natural force and human agency are inseparable. According to Dipesh Chakrabarty, the Anthropocene “requires us to translate ideas that have deeply to do with Earth history, geology, and geological time into the language of world history,” and this necessitates the displacement of the category “force” into the “human-existential category of power” (9). Eva Horn and Hannes Bergthaller also suggest that seemingly natural forces such as climate change over the long term are not so much external forces as they are humans’ “cumulative, collective and highly consequential behavior” (74). However, Giovanna Di Chiro astutely observes that the concept of the Anthropocene conceals the “gendered, racialized, and exploitative global capitalist system” and criticizes its irresponsibility: The pan-humanism of the concept of Anthropocene reflects and shores up neoliberal, individualist, entrepreneurial forms of “resilience,” which trade on the notion that if “we” (humans) are [End Page 144] all to blame for the climate crisis, then no one is to blame and, therefore, no one is responsible, so we’re all left to our own devices to become more resilient. (489; emphasis original) This individual diminishing structure hides the responsibility of some of those who enjoy the benefits of Western capitalism, who bear a...","PeriodicalId":23875,"journal":{"name":"Western American Literature","volume":"12 1","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Western American Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/wal.2023.a904152","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 0

Abstract

A Fable of the AnthropoceneThe Disturbing Naturalist Humanity in Frank Norris’s The Octopus Daichi Sugai (bio) A key trope in literary naturalism is that natural force over-weighs individual power. In The Octopus (1901) Presley, a poet, narrates one of the characteristics of American naturalism that subsumes individual human affairs into an environmentally deterministic whole: “men were naught, death was naught, life was naught; FORCE only existed” (1084). The concept of force beyond personal power and intention bolsters Frank Norris’s first volume of the would-be Wheat trilogy. However, Norris’s use of force was influenced by nineteenth-century thermodynamics, and its sociological adaptations diverge into representations of several laws, such as the law of biological reproduction, heterosexual love, and the marketplace.1 For instance, Presley contemplates, “FORCE that brought men into the world, FORCE that crowded them out of it to make way for the succeeding generation, FORCE that made the wheat grow” (1084). Norris uses erotic and heterosexual metaphors to describe the cultivation of land and regards plowing as a heterosexual love affair of the “two world-forces, the elemental Male and Female” (680). Shelgrim, the president of the railroad, says in a conversation with Presley, “The Wheat is one force, the Railroad, another, and there is the law that governs them—supply and demand” (1037). Although Norris’s employment of force ramifies into several leitmotifs, they share the same basis that individual power cannot resist a current of environmental or “natural” forces beyond human agency. This naturalist concept—the “discourse of force” in Mark Seltzer’s terms (29)—deprives humans of their free will and reduces them to a part of an indifferent system of force. No wonder Walter Benn Michaels dismisses the relationship between the naturalist [End Page 143] force and individual power in The Octopus as follows: “The point is not simply that human agents are less powerful than nature but that, reduced to the ‘forces’ they really are, human agents are not agents at all” (201).2 I argue, however, that—considering the Anthropocene debate in recent years—force in literary naturalism is not a natural occur-rence independent of human activities; instead, individual power fortifies the naturalist force. Although June Howard points out that naturalist novels dramatize the “antinomy between fate and hope, between determinism and human will” (39), I believe Norris’s naturalist idea of force exhibits not so much antinomy as a conspiracy between deterministic environmental force and individual power. The term “Anthropocene” designates a period in geological time in which humans have come to play a definitive and crucial role in the planet’s ecology. Although there are arguments regarding its time frame, this time frame can be compellingly situated as the beginning of the industrial revolution, when the human impact on Earth reached unprecedented intensity (Bonneuil and Fressoz 50; Clark 1–2; Glaser et al. 6; Morton 4–5).3 Given that the Anthropocene undermines the difference between the geological time scale and human history, natural force and human agency are inseparable. According to Dipesh Chakrabarty, the Anthropocene “requires us to translate ideas that have deeply to do with Earth history, geology, and geological time into the language of world history,” and this necessitates the displacement of the category “force” into the “human-existential category of power” (9). Eva Horn and Hannes Bergthaller also suggest that seemingly natural forces such as climate change over the long term are not so much external forces as they are humans’ “cumulative, collective and highly consequential behavior” (74). However, Giovanna Di Chiro astutely observes that the concept of the Anthropocene conceals the “gendered, racialized, and exploitative global capitalist system” and criticizes its irresponsibility: The pan-humanism of the concept of Anthropocene reflects and shores up neoliberal, individualist, entrepreneurial forms of “resilience,” which trade on the notion that if “we” (humans) are [End Page 144] all to blame for the climate crisis, then no one is to blame and, therefore, no one is responsible, so we’re all left to our own devices to become more resilient. (489; emphasis original) This individual diminishing structure hides the responsibility of some of those who enjoy the benefits of Western capitalism, who bear a...
人类世的寓言:弗兰克·诺里斯的《章鱼》中令人不安的自然主义人性
人类世的寓言弗兰克·诺里斯《章鱼》中令人不安的自然主义人性——杉井大一(生物)文学自然主义的一个关键比喻是自然力量压倒了个人力量。在《章鱼》(The Octopus, 1901)一书中,诗人普雷斯利讲述了美国自然主义的一个特点,即把个人的人类事务纳入一个环境决定论的整体:“人是虚无的,死亡是虚无的,生命是虚无的;武力只存在”(1084)。超越个人力量和意图的力量概念支撑着弗兰克·诺里斯即将出版的《小麦三部曲》的第一卷。然而,诺里斯对武力的运用受到了19世纪热力学的影响,其社会学适应性表现为几种法则的表现,如生物繁殖法则、异性恋法则和市场法则例如,普雷斯利思考道:“把人类带到这个世界的力量,把他们挤出这个世界为下一代让路的力量,使小麦生长的力量”(1084)。诺里斯用情色和异性恋的隐喻来描述土地的耕种,并把耕种看作是“两种世界力量——男性和女性”的异性恋爱情(680)。铁路公司总裁谢尔格里姆在与普雷斯利的一次谈话中说:“小麦是一种力量,铁路是另一种力量,支配它们的是一种规律——供求关系。”(1037)虽然诺里斯对武力的运用有几个主题,但它们都有一个共同的基础,即个人的力量无法抵抗人类能动性之外的环境或“自然”力量。这种自然主义的概念——用Mark Seltzer的话说就是“力的话语”(29)——剥夺了人类的自由意志,把他们降低为冷漠的力系统的一部分。难怪沃尔特·本·迈克尔斯(Walter Benn Michaels)在《章鱼》(the Octopus)中对自然主义力量和个人力量之间的关系不以为然:“问题不仅在于人类的力量不如自然强大,而且在于,如果将其还原为真正的‘力量’,人类的力量根本就不是力量”(201)然而,我认为——考虑到近年来关于人类世的争论——文学自然主义中的力量并不是独立于人类活动的自然现象;相反,个人的力量强化了自然主义的力量。尽管琼·霍华德指出自然主义小说戏剧化地表现了“命运与希望、决定论与人类意志之间的矛盾”(39),但我认为诺里斯的自然主义力量观与其说表现了矛盾,不如说是决定论的环境力量与个人力量之间的阴谋。“人类世”一词指的是地质时代的一段时期,在这段时期,人类开始在地球生态中发挥决定性和关键的作用。尽管关于它的时间框架存在争议,但这个时间框架可以令人信服地定位为工业革命的开始,当时人类对地球的影响达到了前所未有的强度(Bonneuil和Fressoz 50;克拉克1 - 2;Glaser等6;莫顿4 - 5)。鉴于人类世破坏了地质时间尺度和人类历史之间的差异,自然力量和人类活动是不可分割的。根据Dipesh Chakrabarty的说法,人类世“要求我们将与地球历史、地质和地质时间有深刻关系的想法转化为世界历史的语言。”这就需要将“力量”这一范畴替换为“人类存在的力量范畴”(9)。伊娃·霍恩(Eva Horn)和汉内斯·贝格萨勒(Hannes Bergthaller)还认为,从长期来看,气候变化等看似自然的力量与其说是外部力量,不如说它们是人类“累积的、集体的、高度后果性的行为”(74)。然而,Giovanna Di Chiro敏锐地观察到,人类世的概念掩盖了“性别化、种族化和剥削性的全球资本主义体系”,并批评了它的不负责任:人类世概念的泛人文主义反映并支持了新自由主义、个人主义和企业家形式的“复原力”,这种复原力基于这样一种观念:如果“我们”(人类)应为气候危机负责,那么就没有人应该受到指责,因此也就没有人应该对此负责,所以我们都只能靠自己的手段变得更有复原力。(489);这种个体递减的结构掩盖了一些享受西方资本主义利益的人的责任,他们承担着……
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来源期刊
Western American Literature
Western American Literature LITERATURE, AMERICAN-
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