Teaching and practising gestures: An investigation of the work of Accademia sull’Arte del Gesto

IF 0.2 0 DANCE
Elisa Frasson
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引用次数: 0

Abstract

The article investigates the work of Accademia sull’Arte del Gesto, created in 2007 by Italian choreographer Virgilio Sieni, by examining the relationship within teaching and practising gestures with Delfina Stella, his artistic collaborator. Accademia sull’Arte del Gesto is a research project devoted to the study of the gestures, the meaning of body movement and the transmission of dance. This work on the art of the gesture aims to positively intervene on liveability and a possible sense of belonging, tending towards a renewal of the relationship between the body and the territory. The practice of gesture is transmitted both from the choreographer to the movers and vice versa. How are these practices of gestures open to a variety of people? To what extent is a somatic approach supportive in transmitting this practice? In what ways has Sieni, together with his collaborators, developed these pedagogies for gestures? The enquiry combines my own field research experience and narration around the creation , a project by Sieni.
手势的教学与练习:意大利艺术学院的研究
本文考察了意大利编舞家Virgilio Sieni于2007年创建的“艺术学院”(Accademia sull’arte del Gesto)的工作,通过研究他的艺术合作伙伴Delfina Stella在教学和练习手势中的关系。“艺术学院”是一个致力于研究手势、身体运动的意义和舞蹈传播的研究项目。这项关于姿态艺术的工作旨在积极地干预宜居性和可能的归属感,趋向于身体和领土之间关系的更新。动作的练习从编舞者传递给动作者,反之亦然。这些手势练习是如何对不同的人开放的?身体疗法在多大程度上支持这种实践的传播?Sieni和他的合作者在哪些方面发展了这些手势教学法?这次调查结合了我自己的实地研究经验和对Sieni的一个创作项目的叙述。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.
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