Perspectives on Musical Care Throughout the Life Course: Introducing the Musical Care International Network

Q1 Arts and Humanities
Neta Spiro, Katie Rose M. Sanfilippo, Bonnie B. McConnell, Georgia Pike-Rowney, Filippo Bonini Baraldi, Bernd Brabec, Kathleen Van Buren, Dave Camlin, Tânya Marques Cardoso, Burçin Uçaner Çifdalöz, Ian Cross, Ben Dumbauld, Mark Ettenberger, Kjetil Falkenberg, Sunelle Fouché, Emma Frid, Jane Gosine, april l. graham-jackson, Jessica A. Grahn, Klisala Harrison, Beatriz Ilari, Sally Mollison, Steven J. Morrison, Gabriela Pérez-Acosta, Rosie Perkins, Jessica Pitt, Tal-Chen Rabinowitch, Juan-Pablo Robledo, Efrat Roginsky, Caitlin Shaughnessy, Naomi Sunderland, Alison Talmage, Giorgos Tsiris, Krista de Wit
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引用次数: 0

Abstract

In this paper we report on the inaugural meetings of the Musical Care International Network held online in 2022. The term “musical care” is defined by Spiro and Sanfilippo (2022) as “the role of music—music listening as well as music-making—in supporting any aspect of people's developmental or health needs” (pp. 2–3). Musical care takes varied forms in different cultural contexts and involves people from different disciplines and areas of expertise. Therefore, the Musical Care International Network takes an interdisciplinary and international approach and aims to better reflect the disciplinary, geographic, and cultural diversity relevant to musical care. Forty-two delegates participated in 5 inaugural meetings over 2 days, representing 24 countries and numerous disciplines and areas of practice. Based on the meetings, the aims of this paper are to (1) better understand the diverse practices, applications, contexts, and impacts of musical care around the globe and (2) introduce the Musical Care International Network. Transcriptions of the recordings, alongside notes taken by the hosts, were used to summarise the conversations. The discussions developed ideas in three areas: (a) musical care as context-dependent and social, (b) musical care's position within the broader research and practice context, and (c) debates about the impact of and evidence for musical care. We can conclude that musical care refers to context-dependent and social phenomena. The term musical care was seen as useful in talking across boundaries while not minimizing individual disciplinary and professional expertise. The use of the term was seen to help balance the importance and place of multiple disciplines, with a role to play in the development of a collective identity. This collective identity was seen as important in advocacy and in helping to shape policy. The paper closes with proposed future directions for the network and its emerging mission statement.
终身音乐关怀的视角:音乐关怀国际网络的介绍
在本文中,我们报告了2022年在线举行的音乐关怀国际网络的首届会议。Spiro和Sanfilippo(2022)将“音乐关怀”定义为“音乐——听音乐和制作音乐——在支持人们发展或健康需求的任何方面的作用”(第2-3页)。音乐护理在不同的文化背景下有不同的形式,涉及来自不同学科和专业领域的人。因此,音乐关怀国际网络采用跨学科和国际方法,旨在更好地反映与音乐关怀相关的学科、地理和文化多样性。42名代表参加了为期2天的5次成立会议,代表24个国家和众多学科和实践领域。基于这些会议,本文的目的是:(1)更好地理解全球音乐关怀的不同实践、应用、背景和影响;(2)介绍音乐关怀国际网络。录音的抄本和主持人的笔记被用来总结对话。讨论发展了三个领域的想法:(a)音乐护理作为情境依赖和社会,(b)音乐护理在更广泛的研究和实践背景中的地位,以及(c)关于音乐护理的影响和证据的辩论。我们可以得出结论,音乐关怀是一种情境依赖的社会现象。音乐护理这个词被认为在跨越界限的谈话中很有用,同时又不会减少个人的学科和专业知识。该术语的使用被视为有助于平衡多学科的重要性和地位,并在集体认同的发展中发挥作用。这种集体认同被视为在倡导和帮助制定政策方面很重要。论文最后提出了该网络的未来方向及其新出现的使命声明。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Music  Science
Music Science Arts and Humanities-Music
CiteScore
2.80
自引率
0.00%
发文量
15
审稿时长
10 weeks
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