Rev. of Transnational Perspectives on Artists’ Lives Rev. of Transnational Perspectives on Artists’ Lives , edited by MARLEENRENSEN AND CHRISTOPHERWILEY, Palgrave Macmillan, 2020, 278 pp., $ 64.99 (eBook), ISBN 978-3-030-45199-8

Abstract

Click to increase image sizeClick to decrease image size Notes1 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 5.2 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 4.3 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 11.4 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 21.5 Ali Smith, How to Be Both.6 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 2.7 Rensen and Wiley, Transnational Perspectives on Artists’ Lives,12.8 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 12.9 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 7.10 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 6.11 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 10.12 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 13.13 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 15.14 Rensen and Wiley, Transnational Perspectives on Artists’ Lives, 140.Additional informationNotes on contributorsBeth KearneyBeth Kearney is a PhD Candidate at the University of Queensland (UQ), where she is writing a thesis on the role of photography in contemporary women’s life writing in French. More broadly, her research specialises in 20th and 21st century women’s literatures and visual cultures across the French-speaking world, with a focus on representations of women’s bodies and subjectivities and on the interactions between literature and visual art. Additionally, she has a strong interest in surrealism and modernity in France from the late 19th to the early 20th centuries. She also teaches French language, literature, and culture to university students.