Matthew C. Sanger, Rachel Cajigas, Elliot H. Blair, Anna Semon
{"title":"Air and sound: Indigenous wind instruments made of bone in the Southeast United States","authors":"Matthew C. Sanger, Rachel Cajigas, Elliot H. Blair, Anna Semon","doi":"10.1080/0734578x.2023.2264050","DOIUrl":null,"url":null,"abstract":"ABSTRACTBy studying the distribution of wind instruments made of bone, we investigate the presence of musical traditions in the American Southeast and nearby regions during the last few centuries prior to European arrival. Our findings show that southeastern Indigenous peoples used bone instruments far less than their neighbors, suggesting that they almost exclusively made whistles and flutes from reeds, wood, and other materials that do not survive in the archaeological record. This variation in materials was not based on a lack of knowledge, as we detail the presence of several bone wind instruments in the Southeast, but rather, we suggest, a unique musical tradition in the region.KEYWORDS: Musicfluteslate Pre-contactMississippianarchaeomusicologyaerophones AcknowledgmentsMuch of the work used comes from Katherine Lee Hall Martin’s unpublished master’s thesis (University of Tennessee, Knoxville). We understand that she has since passed and while she enjoyed archaeology, she ended up making a career in music. We benefited greatly from her work for which we are deeply grateful. We also appreciate our colleagues, Amanda Roberts, Sharon Pekrul, William Allen, Neill Wallis, and Tim Baumann, who conducted searches of their collections, and James Krakker, who provided access to NMNH collections. We also appreciate James Rees, David Dye, Betsy Reitz, John Scarry, Vin Steponaitis, Jeff Mitchem, Lynne Sullivan, Jeff Chapman, Heather Lapham, and Richard Polhemus, whom we polled in an effort to locate additional Southeast aerophones. Finally comments by reviewers, RaeLynn Butler (Muscogee [Creek]), LaDonna Brown (Chickasaw), and two anonymous individuals greatly improved the final product.Data availability statementOriginal data records are at the institutions who hold the collections while compiled data sets are available from the first author (MCS) and are housed at the National Museum of American Indian.Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsMatthew C. SangerMatthew C. Sanger is Curator at the National Museum of the American Indian, Smithsonian Institution.Rachel CajigasRachel Cajigas is an Assistant Professor in the Department of Anthropology at the University of Alabama.Elliot H. BlairElliot Blair is an Associate Professor in the Department of Anthropology at the University of Alabama.Anna SemonAnna Semon is the Manager of the North American Archaeology Laboratory at the American Museum of Natural History.","PeriodicalId":34945,"journal":{"name":"Southeastern Archaeology","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Southeastern Archaeology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/0734578x.2023.2264050","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACTBy studying the distribution of wind instruments made of bone, we investigate the presence of musical traditions in the American Southeast and nearby regions during the last few centuries prior to European arrival. Our findings show that southeastern Indigenous peoples used bone instruments far less than their neighbors, suggesting that they almost exclusively made whistles and flutes from reeds, wood, and other materials that do not survive in the archaeological record. This variation in materials was not based on a lack of knowledge, as we detail the presence of several bone wind instruments in the Southeast, but rather, we suggest, a unique musical tradition in the region.KEYWORDS: Musicfluteslate Pre-contactMississippianarchaeomusicologyaerophones AcknowledgmentsMuch of the work used comes from Katherine Lee Hall Martin’s unpublished master’s thesis (University of Tennessee, Knoxville). We understand that she has since passed and while she enjoyed archaeology, she ended up making a career in music. We benefited greatly from her work for which we are deeply grateful. We also appreciate our colleagues, Amanda Roberts, Sharon Pekrul, William Allen, Neill Wallis, and Tim Baumann, who conducted searches of their collections, and James Krakker, who provided access to NMNH collections. We also appreciate James Rees, David Dye, Betsy Reitz, John Scarry, Vin Steponaitis, Jeff Mitchem, Lynne Sullivan, Jeff Chapman, Heather Lapham, and Richard Polhemus, whom we polled in an effort to locate additional Southeast aerophones. Finally comments by reviewers, RaeLynn Butler (Muscogee [Creek]), LaDonna Brown (Chickasaw), and two anonymous individuals greatly improved the final product.Data availability statementOriginal data records are at the institutions who hold the collections while compiled data sets are available from the first author (MCS) and are housed at the National Museum of American Indian.Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsMatthew C. SangerMatthew C. Sanger is Curator at the National Museum of the American Indian, Smithsonian Institution.Rachel CajigasRachel Cajigas is an Assistant Professor in the Department of Anthropology at the University of Alabama.Elliot H. BlairElliot Blair is an Associate Professor in the Department of Anthropology at the University of Alabama.Anna SemonAnna Semon is the Manager of the North American Archaeology Laboratory at the American Museum of Natural History.
摘要通过研究骨制管乐器的分布,我们调查了在欧洲人到来之前的几个世纪里,美国东南部和附近地区音乐传统的存在。我们的研究结果表明,东南部的土著居民使用骨乐器的次数远远少于他们的邻居,这表明他们几乎完全用芦苇、木材和其他没有在考古记录中幸存下来的材料制作哨子和笛子。这种材料上的差异并不是因为缺乏知识,因为我们详细介绍了东南地区几种骨管乐器的存在,而是我们认为,这是该地区独特的音乐传统。关键词:音乐长笛前接触密西西比考古音乐学音系致谢使用的大部分工作来自凯瑟琳·李·霍尔·马丁未发表的硕士论文(田纳西大学,诺克斯维尔)。我们知道她已经去世了,虽然她喜欢考古学,但她最终以音乐为职业。我们从她的工作中受益匪浅,对此我们深表感激。我们也感谢我们的同事,阿曼达·罗伯茨、莎朗·佩克鲁尔、威廉·艾伦、尼尔·沃利斯和蒂姆·鲍曼,他们对他们的藏品进行了搜索,詹姆斯·克拉克尔为我们提供了查阅NMNH藏品的途径。我们也感谢詹姆斯·里斯、大卫·戴伊、贝特西·雷茨、约翰·斯凯瑞、范·斯特波纳蒂斯、杰夫·米奇姆、琳恩·沙利文、杰夫·查普曼、希瑟·拉帕姆和理查德·波尔赫姆斯,我们对他们进行了投票,以努力定位更多的东南航空电话。评审员RaeLynn Butler (Muscogee [Creek])、LaDonna Brown (Chickasaw)和两位匿名人士的评论极大地改进了最终产品。数据可用性声明原始数据记录保存在收藏机构,而汇编数据集可从第一作者(MCS)获得,并存放在美国印第安人国家博物馆。披露声明作者未报告潜在的利益冲突。作者简介:matthew C. Sanger是史密森学会美国印第安人国家博物馆的馆长。Rachel Cajigas是阿拉巴马大学人类学系的助理教授。Elliot H. Blair是阿拉巴马大学人类学系的副教授。Anna Semon是美国自然历史博物馆北美考古实验室的经理。
期刊介绍:
Southeastern Archaeology is a refereed journal that publishes works concerning the archaeology and history of southeastern North America and neighboring regions. It covers all time periods, from Paleoindian to recent history and defines the southeast broadly; this could be anything from Florida (south) to Wisconsin (North) and from Oklahoma (west) to Virginia (east). Reports or articles that cover neighboring regions such as the Northeast, Plains, or Caribbean would be considered if they had sufficient relevance.