Joseph Skipsey: Bir Madenci Şairin Şiirlerinde Doğanın Kullanımı

Mümin HAKKIOĞLU
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Abstract

Victorian poetry developed under the influence of profound socio-political transformations and accompanied by diverse literary voices and perspectives includes the poems of many as yet little-known labouring poets from various occupational groups, along with those of the leading figures of the period. One of those poets was the Northumberland collier Joseph Skipsey (1832-1903), who spent most of his life in the coal mines he entered at the age of seven. In his poems, the echoes of the socio-economic realities and cultural codes of his locale are clearly observed. Even if his living in the country might evoke at first glance that Skipsey is quite close to nature, his relations with it surprisingly exist in a narrowed framework and remain within the confines of traditional narrative forms, such as ballad and song. This study aims to reveal the essence of a collier poet’s relationship with nature in his poems within the socio-political conditions of Victorian England. The main argument of the study is that Skipsey does not use nature as a glorified unity of beings, but as a means of balance and a source of material he refers to in narrating emotions, human relations and the realities of miners’ life.
约瑟夫-斯基普西:矿工诗人诗歌中的自然运用
维多利亚时代的诗歌是在深刻的社会政治变革的影响下发展起来的,伴随着不同的文学声音和观点,包括许多来自不同职业群体的鲜为人知的劳动诗人的诗歌,以及那个时期的主要人物。其中一位诗人是诺森伯兰煤矿工人约瑟夫·斯基普西(1832-1903),他七岁时进入煤矿,大部分时间都在煤矿里度过。在他的诗歌中,社会经济现实和当地文化规范的回声清晰可见。即使他在乡村的生活乍一看会让人觉得他与自然很亲近,但令人惊讶的是,他与自然的关系存在于一个狭窄的框架中,并且仍然停留在传统叙事形式的范围内,比如民谣和歌曲。本研究旨在揭示维多利亚时代英国社会政治条件下煤矿诗人诗歌中与自然关系的本质。该研究的主要论点是,斯基普西并没有把自然作为一种荣耀的生物统一,而是作为一种平衡的手段和他在叙述情感、人际关系和矿工生活现实时所提到的材料来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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