{"title":"Past and Present: Competing Ideologies of Impressionism in France, c. 1930–1950","authors":"Neil McWilliam","doi":"10.1093/oxartj/kcad014","DOIUrl":null,"url":null,"abstract":"Journal Article Past and Present: Competing Ideologies of Impressionism in France, c. 1930–1950 Get access Neil McWilliam Neil McWilliam Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 46, Issue 2, August 2023, Pages 261–276, https://doi.org/10.1093/oxartj/kcad014 Published: 27 September 2023 Article history Received: 21 September 2022 Revision received: 15 March 2023 Editorial decision: 20 April 2023 Accepted: 16 June 2023 Corrected and typeset: 27 September 2023 Published: 27 September 2023","PeriodicalId":44264,"journal":{"name":"OXFORD ART JOURNAL","volume":"20 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"OXFORD ART JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxartj/kcad014","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Journal Article Past and Present: Competing Ideologies of Impressionism in France, c. 1930–1950 Get access Neil McWilliam Neil McWilliam Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 46, Issue 2, August 2023, Pages 261–276, https://doi.org/10.1093/oxartj/kcad014 Published: 27 September 2023 Article history Received: 21 September 2022 Revision received: 15 March 2023 Editorial decision: 20 April 2023 Accepted: 16 June 2023 Corrected and typeset: 27 September 2023 Published: 27 September 2023
期刊介绍:
The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.