Impressionism and Post-Impressionism: The Controversial Reception in China (1910–1950)

IF 0.1 3区艺术学 0 ART

OXFORD ART JOURNAL Pub Date : 2023-08-01 DOI:10.1093/oxartj/kcad012

Philippe Cinquini

引用次数: 0

Abstract

Journal Article Impressionism and Post-Impressionism: The Controversial Reception in China (1910–1950) Get access Philippe Cinquini Philippe Cinquini Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 46, Issue 2, August 2023, Pages 177–197, https://doi.org/10.1093/oxartj/kcad012 Published: 27 September 2023 Article history Received: 29 September 2022 Editorial decision: 11 June 2023 Accepted: 22 June 2023 Corrected and typeset: 27 July 2023 Published: 27 September 2023

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印象派与后印象派:中国的争议性接受(1910-1950)

期刊文章印象派和后印象派:在中国有争议的接受(1910-1950)获取菲利普·辛奎尼菲利普·辛奎尼搜索作者的其他作品:牛津学术谷歌学者牛津艺术杂志，第46卷，第2期，2023年8月，177-197页，https://doi.org/10.1093/oxartj/kcad012出版:2023年9月27日文章历史接收:2022年9月29日编辑决定:2023年6月11日接受:2023年6月22日校正和排版:出版日期:2023年9月27日

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OXFORD ART JOURNAL ART-

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期刊介绍： The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.