The documentary nature of A. Gelasimov’s novel “Pure High”

O. V. Shchegolkova
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Abstract

The article is devoted to the work of the notable contemporary writer A. Gelasimov. Over the past two decades, domestic literature has reflected a steady interest in the category of documentaries, resorting to various genre forms of nonfiction, style dominants, narrative strategies, etc. A. Gelasimov’s novel “Pure High” is largely organized based on the documentary principle, which manifests itself in the text at different levels of the whole: in the genre form of a biography, narrative, method of collecting information, adventurousness of the plot, stylized documents, language manner, etc. The document is used in the design of the publication, the section “Acknowledgements” correlates the names of the people from the environment of rapper Basta with the details of the novel, direct quotes from his songs are given, the biography is based on real facts. This use of documentary elements allows the author to actualize the tragic nineties of Russian history in the reader’s mind, to raise the issue of “the lost generations”, the forms and the causes of their destructive behavior and to show a possible experience of overcoming “the historical trauma”. Touching upon important social problems of our time, A. Gelasimov rediscovers the value of such categories as home, family, love, loyalty and friendship in the present.
格拉西莫夫小说《纯粹的高》的纪实性
这篇文章专门讨论当代著名作家A.格拉西莫夫的作品。在过去的二十年里,国内文学对纪录片这一类别表现出了稳定的兴趣,采用了各种非虚构的类型形式、风格主导、叙事策略等。a .格拉西莫夫的小说《纯粹的高》在很大程度上是按照纪实原则组织起来的,这种纪实原则体现在整个文本的不同层次上:传记的体裁形式、叙事方式、信息收集方式、情节的冒险性、文牍的风格化、语言方式等。该文件用于出版物的设计,“致谢”部分将说唱歌手Basta所处环境中的人的名字与小说的细节联系起来,直接引用了他的歌曲,传记基于真实的事实。这种纪实元素的运用,使作者能够将俄罗斯历史上悲惨的九十年代真实地呈现在读者的脑海中,提出“失落的一代”的问题,以及他们破坏性行为的形式和原因,并展示一种克服“历史创伤”的可能体验。A.格拉西莫夫触及了我们这个时代的重要社会问题,重新发现了家庭、家庭、爱情、忠诚和友谊等类别在当今的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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