Old English Wlītan and Wlātian : Poetic Verbs of Looking (And Seeing)

IF 0.1 4区 文学 0 LITERATURE
Thomas Klein
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Abstract

Click to increase image sizeClick to decrease image size Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. A rich body of research exists in psychology and cognitive science exploring inattentional blindness and motivated perception: how failure to attend to specific aspects of a given scene may in fact allow someone to look at a specific thing and not see it (see, for example, O’Regan et al. and Ekroll et al.).2. A reason for wlātian’s absence from prose might have been its accidental homophony with words with the root -wlæt- that have to do with disgust or nausea.3. Citations and text excerpts are from the DOEC, using their abbreviated titles for works other than poems; translations are my own.4. Such models might lead to invented languages such as Tolkien’s Elvish languages, or to arguments about primitive languages (and primitive peoples) such as those formerly made for Australian Indigenous peoples.5. A writer such as Owen Barfield would disagree, arguing instead that “it is the nature of language to grow less figurative, less and less couched in terms of imagery, as it grows older … [T]hat figurative element, that presence of living imagery, that we find in earlier language … was simply there in the language as such; it was a ‘given’ kind of meaning, a ‘given’ kind of imagery” (n.p.).6. The shift in meaning of the nominal form look from an intentional “glance” to an impersonal “appearance” is interesting and probably telling.7. The OED (s.v. †anleth, n.) suggests the etymology and- “against, facing” and wlitan “to look.”8. Actually Ezechiel: see Ezechiel 44: 2.9. OED (s.v. behold): “To hold or keep in view, to watch; to regard or contemplate with the eyes; to look upon, look at (implying active voluntary exercise of the faculty of vision)… This has passed imperceptibly into the resulting passive sensation.”10. As noted at the beginning of the essay, the science of vision has long been interested in the effects of attention and visual orienting. Findlay and Gilchrist note, “Attentional selection of a region of visual space can be made in two distinct ways. We say that something ‘catches our eye’ when we orient and look at it. We can, however, also look at one thing and be attending to another, … often colloquially termed looking out of the corner of the eye” (3).Additional informationFundingWork on this article was made possible by a course release from the College of Arts and Letters at Idaho State University.
古英语wl tan和Wlātian: Looking(和Seeing)的诗意动词
点击放大图片点击缩小图片披露声明作者未发现潜在的利益冲突。在心理学和认知科学中,有大量的研究在探索无意失明和动机感知:为什么不注意特定场景的特定方面实际上可能会让某人看到特定的事物而看不到它(例如,参见O 'Regan等人和Ekroll等人)。wlātian在散文中缺席的一个原因可能是它偶然与词根为wel æt的单词谐音,这些单词与厌恶或恶心有关。引文和文本节选来自DOEC,对诗歌以外的作品使用缩略标题;翻译是我自己做的。这样的模式可能会导致发明语言,比如托尔金的精灵语,或者导致关于原始语言(和原始民族)的争论,比如以前为澳大利亚土著居民创造的语言。欧文·巴菲尔德(Owen Barfield)等作家不同意这一观点,他认为“随着语言的发展,它的本质是越来越少比喻,越来越少用意象来修饰……我们在早期语言中发现的比喻元素,即生动意象的存在……只是在语言中存在;这是一种‘给定的’意义,一种‘给定的’意象”(n.p.p)。名义形式look的意义从有意的“一瞥”转变为客观的“外表”,这很有趣,而且很可能说明问题。《牛津英语词典》(s.v.†anleth, n.)提出了词源and-“反对,面对”和wlitan“看”。实际上以西结书:见以西结书44章2.9节。《牛津英语词典》:“保持或保持注视,注视;注视:用眼睛注视或沉思;这已经不知不觉地转化为产生的被动感觉。”正如文章开头所指出的,视觉科学长期以来一直对注意力和视觉定向的影响感兴趣。Findlay和Gilchrist指出,“视觉空间区域的注意力选择可以通过两种不同的方式进行。当我们定位并看着某样东西时,我们会说它“吸引了我们的眼球”。然而,我们也可以一边看一件事,一边注意另一件事,……通常通俗地称为“从眼角看出去”。(3)补充信息:本文的资助工作是由爱达荷州立大学艺术与文学学院发布的一门课程提供的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
86
期刊介绍: Occupying a unique niche among literary journals, ANQ is filled with short, incisive research-based articles about the literature of the English-speaking world and the language of literature. Contributors unravel obscure allusions, explain sources and analogues, and supply variant manuscript readings. Also included are Old English word studies, textual emendations, and rare correspondence from neglected archives. The journal is an essential source for professors and students, as well as archivists, bibliographers, biographers, editors, lexicographers, and textual scholars. With subjects from Chaucer and Milton to Fitzgerald and Welty, ANQ delves into the heart of literature.
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