Transforming Confederate Memory Sites into Spaces for Encounter: Reclaiming Space at Marcus-David Peters Circle

IF 1.1 2区 文学 Q3 COMMUNICATION
Kelly Williams Nagel
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Abstract

ABSTRACTIn the wake of George Floyd’s murder by Minneapolis police in May 2020, cities across the United States erupted in protest. These public displays reignited debates over the presence of Confederate monuments, such as the Robert E. Lee statue in Richmond, Virginia. This essay examines several protest events at the Lee statue memorial space in summer 2020, arguing that these moments are a sustained form of a space for encounter. Protestors reclaimed the Lee statue through art and renaming the space, celebrating Black heritage and excellence, and creating educational, accessible, and safe spaces to encourage conversations about racial justice across social differences. The Lee memorial space, renamed Marcus-David Peters Circle by protestors, shows how spaces for encounter can navigate moments of contingency and eligibility for antiracist activism, and how other toxic memory sites can be remade into generative spaces that offer alternative visions of the future.KEYWORDS: Lost Causeprotest rhetoricspublic memoryspace/place AcknowledgmentsThe author expresses her sincerest thanks to Jacqueline Rhodes, Cheryl Glenn, Michele Kennerly, Jeff Nagel, and the anonymous reviewers for their help at every step of the process.Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 Spanish translation: “together we are powerful!”
将联盟记忆场所转变为相遇空间:在马库斯-大卫彼得斯圈回收空间
2020年5月,乔治·弗洛伊德被明尼阿波利斯警方谋杀后,美国各城市爆发了抗议活动。这些公开展示再次引发了关于邦联纪念碑存在的争论,比如弗吉尼亚州里士满的罗伯特·e·李雕像。本文研究了2020年夏天李雕像纪念空间的几起抗议事件,认为这些时刻是一种持续的相遇空间形式。抗议者通过艺术和重新命名空间,重新获得了李的雕像,庆祝黑人遗产和卓越,并创造了教育,无障碍和安全的空间,以鼓励跨越社会差异的种族正义对话。李的纪念空间,被抗议者重新命名为马库斯-大卫彼得斯圈,展示了相遇的空间如何在偶然的时刻和反种族主义激进主义的资格中导航,以及其他有毒的记忆场所如何被改造成提供未来替代愿景的生成空间。作者对杰奎琳·罗兹、谢丽尔·格伦、米歇尔·肯纳利、杰夫·内格尔和匿名审稿人在写作过程中的每一步给予的帮助表示最诚挚的感谢。披露声明作者未报告潜在的利益冲突。注1西班牙语翻译:“团结起来,我们就是强大的!”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
14.30%
发文量
40
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