Transcultural Memory and European Identity in Contemporary German-Jewish Migrant Literature by Jessica Ortner (review)

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS
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Whether it is Stalinist crimes, Soviet antisemitism, or less familiar sites of the Nazi genocide, these writers offer an important corrective, Ortner argues, to dominant social, political, and cultural discourses that tend to construct 'Auschwitz' as the single most significant memory around which Europe could—or should—shape a unified identity. Ortner thus offers an important contribution to the scholarly literature on the 'Eastern turn' (Brigid Haines: see 'Introduction: The Eastern European Turn in Contemporary German-Language Literature', German Life and Letters, 68 (2015), 145–53 <https://doi.Zorg/10.1111/glal.12073>) in recent German-language writing and inflects this with an emphasis on the migration of Jewish memories from east to west following the fall of the Berlin Wall and the end of the Cold War. This also relates, of course, to the spectacular revival of the Jewish community in Germany following the arrival after 1990 of around 200,000 people from the former Soviet Union able to claim Jewish heritage. Ortner's book is organized into three sections. The first gives a detailed overview of and engagement with the 'mnemonic divide' between Eastern and Western Europe, with countries that once belonged to the Soviet bloc tending to their victimization under communism while Western European countries focus on the Nazi genocide. This section also attends to recent scholarship in memory studies and identifies the volume's original contribution to this literature. Section 11 examines three contemporary authors, Vladimir Vertlib, Katja Petrowskaja, and Barbara Honigmann, and specifically their endeavours to parallel Stalinism with Nazi crimes—without, however, relativizing the Holocaust. Section in then examines two writers, Olga Grjasnowa and Lena Gorelik, who more explicitly contest Germany's dominant memory culture, by de-emphasizing the uniqueness of the Holocaust and placing it within a multidirectional, transcultural framework alongside other atrocities and injustices—for example, the Armenian genocide or even Israel's military interventions in the West Bank and Gaza. The close readings are detailed, generally sound, and occasionally excellent. The chapter on Petrowskaja, then, is highly illuminating in its detailed and nuanced focus on the memory politics of Soviet and post-Soviet representations of the Holocaust, and the chapter on Honigmann brings out a neglected aspect of her work, namely her depiction of communist oppression. This is an ambitious volume that largely 'works'. On occasion, Ortner perhaps overstates the normative power of what she calls social frameworks of memory. The European Union might well mandate a particular interpretation of the European past, based on Holocaust memory, but it is is clear that member states, and more importantly, individual citizens, have a wide range of divergent and even contrary memories of their own. Ortner's thesis does not need this detailed reference to European Union policies to be persuasive. Similarly, the volume's two main arguments—that Eastern European writers focus on Stalinism rather than the Holocaust, and that Eastern European Jewish writers focus on different aspects of the Holocaust—are sometimes in tension with each other, or at least the interaction between the two arguments is not always clearly articulated. These are framing issues, or occasional infelicities relating to the clarity of expression, that do not [End Page 637] detract from the cogency of the close readings and the overall originality of the volume, however. Scholars of contemporary German and German Jewish literature will find Ortner's Transcultural Memory more than useful for its framing of the contribution of writers from the former Soviet Union (and GDR) to current debates on German (and more generally Western) memory culture. More than this, however, its close readings...","PeriodicalId":45399,"journal":{"name":"MODERN LANGUAGE REVIEW","volume":"15 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN LANGUAGE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mlr.2023.a907872","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0

Abstract

Reviewed by: Transcultural Memory and European Identity in Contemporary German-Jewish Migrant Literature by Jessica Ortner Stuart Taberner Transcultural Memory and European Identity in Contemporary German-Jewish Migrant Literature. By Jessica Ortner. Rochester, NY: Camden House. 2022. 285 pp. £85. ISBN 978–16–401–4022–6. There is much to recommend this volume. In it, Jessica Ortner examines recent German-language writers with a Jewish background whose lived experience of the Soviet Union (or, in the case of Barbara Honigmann, the former East Germany) introduces Eastern European histories into a historical narrative that has largely been [End Page 636] shaped by Western institutions. Whether it is Stalinist crimes, Soviet antisemitism, or less familiar sites of the Nazi genocide, these writers offer an important corrective, Ortner argues, to dominant social, political, and cultural discourses that tend to construct 'Auschwitz' as the single most significant memory around which Europe could—or should—shape a unified identity. Ortner thus offers an important contribution to the scholarly literature on the 'Eastern turn' (Brigid Haines: see 'Introduction: The Eastern European Turn in Contemporary German-Language Literature', German Life and Letters, 68 (2015), 145–53 ) in recent German-language writing and inflects this with an emphasis on the migration of Jewish memories from east to west following the fall of the Berlin Wall and the end of the Cold War. This also relates, of course, to the spectacular revival of the Jewish community in Germany following the arrival after 1990 of around 200,000 people from the former Soviet Union able to claim Jewish heritage. Ortner's book is organized into three sections. The first gives a detailed overview of and engagement with the 'mnemonic divide' between Eastern and Western Europe, with countries that once belonged to the Soviet bloc tending to their victimization under communism while Western European countries focus on the Nazi genocide. This section also attends to recent scholarship in memory studies and identifies the volume's original contribution to this literature. Section 11 examines three contemporary authors, Vladimir Vertlib, Katja Petrowskaja, and Barbara Honigmann, and specifically their endeavours to parallel Stalinism with Nazi crimes—without, however, relativizing the Holocaust. Section in then examines two writers, Olga Grjasnowa and Lena Gorelik, who more explicitly contest Germany's dominant memory culture, by de-emphasizing the uniqueness of the Holocaust and placing it within a multidirectional, transcultural framework alongside other atrocities and injustices—for example, the Armenian genocide or even Israel's military interventions in the West Bank and Gaza. The close readings are detailed, generally sound, and occasionally excellent. The chapter on Petrowskaja, then, is highly illuminating in its detailed and nuanced focus on the memory politics of Soviet and post-Soviet representations of the Holocaust, and the chapter on Honigmann brings out a neglected aspect of her work, namely her depiction of communist oppression. This is an ambitious volume that largely 'works'. On occasion, Ortner perhaps overstates the normative power of what she calls social frameworks of memory. The European Union might well mandate a particular interpretation of the European past, based on Holocaust memory, but it is is clear that member states, and more importantly, individual citizens, have a wide range of divergent and even contrary memories of their own. Ortner's thesis does not need this detailed reference to European Union policies to be persuasive. Similarly, the volume's two main arguments—that Eastern European writers focus on Stalinism rather than the Holocaust, and that Eastern European Jewish writers focus on different aspects of the Holocaust—are sometimes in tension with each other, or at least the interaction between the two arguments is not always clearly articulated. These are framing issues, or occasional infelicities relating to the clarity of expression, that do not [End Page 637] detract from the cogency of the close readings and the overall originality of the volume, however. Scholars of contemporary German and German Jewish literature will find Ortner's Transcultural Memory more than useful for its framing of the contribution of writers from the former Soviet Union (and GDR) to current debates on German (and more generally Western) memory culture. More than this, however, its close readings...
当代德国犹太移民文学中的跨文化记忆与欧洲认同——杰西卡·奥特纳(评论)
当代德国犹太移民文学中的跨文化记忆与欧洲认同杰西卡·奥特纳著。纽约州罗切斯特:卡姆登之家,2022年。285页,85英镑。ISBN 978-16-401-4022-6。这本书有很多值得推荐的地方。在这本书中,杰西卡·奥特纳(Jessica Ortner)考察了近年来具有犹太背景的德语作家,他们在苏联(或者像芭芭拉·霍尼格曼(Barbara Honigmann)那样,在前东德生活过的经历,将东欧历史引入了一种主要由西方机构塑造的历史叙事中。奥特纳认为,无论是斯大林主义的罪行、苏联的反犹主义,还是人们不太熟悉的纳粹种族灭绝遗址,这些作家都为主流的社会、政治和文化话语提供了重要的纠正,这些话语倾向于将“奥斯维辛”构建为欧洲能够或应该形成统一身份的唯一最重要的记忆。因此,奥特纳在最近的德语写作中对“东方转向”的学术文献做出了重要贡献(布里吉德·海恩斯:见“引言:当代德语文学中的东欧转向”,《德国生活与书信》,68(2015),145-53),并强调了柏林墙倒塌和冷战结束后犹太人记忆从东向西的迁移。当然,这也与1990年后大约20万前苏联人来到德国后犹太社区的壮观复兴有关,这些人能够声称拥有犹太遗产。奥特纳的书分为三个部分。第一部分详细概述了东欧和西欧之间的“记忆分裂”,曾经属于苏联集团的国家倾向于共产主义下的受害者,而西欧国家则专注于纳粹的种族灭绝。本节还出席了最近的学术记忆研究,并确定卷的原始贡献,这一文献。第11部分考察了三位当代作家,弗拉基米尔·维特利布、卡佳·彼得罗夫斯卡娅和芭芭拉·霍尼格曼,特别是他们将斯大林主义与纳粹罪行相提并论的努力——然而,没有将大屠杀相对化。接下来的部分考察了两位作家,Olga Grjasnowa和Lena Gorelik,他们通过不强调大屠杀的独特性,将其与其他暴行和不公正——例如亚美尼亚种族灭绝,甚至以色列对西岸和加沙的军事干预——放在一个多向的、跨文化的框架中,更明确地挑战德国占主导地位的记忆文化。细读是详细的,总体上是健全的,有时是优秀的。因此,关于彼得罗夫斯卡娅的那一章非常有启发性,因为它详细而细致地关注了苏联和后苏联对大屠杀的记忆政治,而关于霍尼格曼的那一章则揭示了她的作品中一个被忽视的方面,即她对共产主义压迫的描述。这是一本雄心勃勃的书,很大程度上是“有效的”。有时候,奥特纳可能夸大了她所谓的社会记忆框架的规范性力量。欧盟很可能会根据大屠杀的记忆,要求对欧洲的过去做出特定的解释,但很明显,成员国,更重要的是,每个公民,对自己的记忆有着广泛的分歧,甚至是相反的。奥特纳的论文不需要详细提及欧盟的政策就具有说服力。同样,这本书的两个主要论点——东欧作家关注斯大林主义而不是大屠杀,以及东欧犹太作家关注大屠杀的不同方面——有时彼此矛盾,或者至少这两个论点之间的相互作用并不总是清晰地表达出来。然而,这些都是框架问题,或者是与表达清晰度有关的偶尔的缺陷,并没有减损近距离阅读的说服力和全书的整体独创性。研究当代德国和德国犹太文学的学者会发现,奥特纳的《跨文化记忆》一书非常有用,因为它为前苏联(和民主德国)作家对当前关于德国(以及更普遍的西方)记忆文化的辩论做出了贡献。然而,更重要的是,它的细读……
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来源期刊
CiteScore
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157
期刊介绍: With an unbroken publication record since 1905, its 1248 pages are divided between articles, predominantly on medieval and modern literature, in the languages of continental Europe, together with English (including the United States and the Commonwealth), Francophone Africa and Canada, and Latin America. In addition, MLR reviews over five hundred books each year The MLR Supplement The Modern Language Review was founded in 1905 and has included well over 3,000 articles and some 20,000 book reviews. This supplement to Volume 100 is published by the Modern Humanities Research Association in celebration of the centenary of its flagship journal.
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