Cheap Art and Creative Activism

Cathleen Muller
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Abstract

Abstract The premise of this article is straightforward: cheap art as a method and movement, though often ignored in the aesthetics literature, is ideally suited for creative activism. To understand this claim, we must have a working definition of the term "cheap art", which I develop in the first section. In doing so, I focus on four features of cheap art, united by the core idea of anti-elitism, that make it well suited to support creative activism: (1) Cheap art is light, quick, sloppy, and easy to do. (2) Cheap art is made from cheap materials. (3) Cheap art rejects the idea of art as a business created for the artworld elite and aims instead to provide art of the people and for the people. (4) Cheap art challenges its audience members rather than seeking to placate or soothe them. After a brief defense of the claim that cheap art is in fact art, I discuss each aspect in detail, emphasizing its advantages for creative activism. I close with two suggestions for evaluating cheap art, which I argue can be extended to creative activism more broadly.
廉价艺术和创造性行动主义
本文的前提很简单:廉价艺术作为一种方法和运动,虽然在美学文献中经常被忽视,但它非常适合创造性行动主义。为了理解这一说法,我们必须对“廉价艺术”一词有一个有效的定义,我在第一节中阐述了这一定义。在此过程中,我将重点放在廉价艺术的四个特征上,这些特征与反精英主义的核心理念相结合,使其非常适合支持创造性行动主义:(1)廉价艺术轻巧、快速、马马散散、易于完成。廉价的艺术品是由廉价的材料制成的。(3)廉价艺术拒绝了艺术是为艺术界精英创造的一门生意的想法,而是旨在为人民和人民提供艺术。廉价的艺术挑战它的观众,而不是试图安抚或安抚他们。在对廉价艺术实际上是艺术的说法进行了简短的辩护之后,我详细讨论了每个方面,强调了它对创造性行动主义的优势。最后,我提出了两个评估廉价艺术的建议,我认为这可以扩展到更广泛的创造性行动主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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