Knowing through Nursing: Edgar and the Exercise of Care in King Lear

IF 0.4 3区 文学 0 LITERATURE, BRITISH ISLES
Julia Reinhard Lupton
{"title":"Knowing through Nursing: Edgar and the Exercise of Care in <i>King Lear</i>","authors":"Julia Reinhard Lupton","doi":"10.1080/17450918.2023.2278515","DOIUrl":null,"url":null,"abstract":"ABSTRACTIn Shakespeare’s late plays, the arts of care push towards sublime horizons of value out of lived ecologies of virtue nourished by global wisdom traditions. To know by nursing is to intuit in and through the intimate tactility of tending to the birth, growth, healing, or dying of another person a sense of purpose and meaning, of telos or goal, yearnings that both sustain and are supported by philosophies, religions, or world views that gain value by being shared with others: ‘What is your study?’KEYWORDS: StoicismSenecaOikeiosisvirtue AcknowledgementMy deep thanks to my partner in spiritual exercise, Unhae Park Langis; to Sheiba Kian Kaufman and Benjamin Parris for pointing me on the track of care; to Miriam Bender, for bibliography and conversations on nursing science; to the two readers and two Special Issue editors of this volume for their generous and helpful readings; and to my physical therapist Dawn Denny and my speech pathologist Teresa Dwight for their care and wisdom.Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 Citations from King Lear are from Kenneth Muir, ed., King Lear.2 Markham, Country Contentments, frontispiece.3 On Cordelia’s virtue ecology, see Sale, ‘Cordelia’s Fire’. For another ecological reading of the passage, see Archer, Turley and Thomas, ‘The Autumn King’, 518–43.4 On Edgar as romance hero, see Beckwith, Shakespeare and the Grammar of Forgiveness, 85–9.5 Murdoch, Metaphysics, 87, 120.6 Ibid., 120–1.7 Parvini, Shakespeare’s Moral Compass, 280–94. On care as a private virtue, see Dolven, ‘Besides Good and Evil’, 12.8 Accessed 29 June 2020. http://www.latin-dictionary.net/definition/15255/cura-curae.9 Heidegger, Being and Time, 184–6; 19; 121, 147; Dreyfuss, Skillful Coping.10 Benner and Chelsea, Expertise in Nursing Practice, 19–20.11 Dreyfus, Dreyfus and Benner, ‘Implications’.12 Parris, Vital Strife, 16.13 Gray, Shakespeare and the Fall of the Roman Republic, 58–9.14 Cicero, De Finibus, 19:62.15 Klein, ‘Stoic Argument’, 160.16 Ibid., 162.17 Martha Nussbaum tracks the medical analogy in ancient philosophy, which aimed to transform ‘the inner world of belief and desire through rational argument’ by managing the emotions in their cognitive and evaluative aspect, as ‘forms of intentional awareness’. Therapy of Desire, 77–8.18 On Stoic epistle as preventative medicine, see Gill, ‘Philosophical Therapy’.19 Foucault, Care of the Self, 44–5.20 Sellars, Routledge Handbook to the Stoic Tradition, 1–2.21 Benjamin Parris emphasises the laboring aspects of care in ‘Life and Labor in the House of Care’, 149–65.22 On the wide domain of virtue before the Enlightenment, see Crocker, Matter of Virtue.23 Allman, ‘Is caring a virtue?’ 467.24 Seneca, ‘Letter 75’, 247.25 Hershinow, Shakespeare and the Truth-Teller, 123–4, 131, 190.26 Langis, ‘Humankindness’; on ancient scepticism and Buddhism, see McEvilley, Shape of Ancient Thought.27 Langis links the passage to global wisdom traditions: ‘“Take physic” is the most compressed expression of the idea familiar in both Eastern (Ayurvedic and Buddhist) and Western (Aristotelian-Galenic) mindbody traditions of seeking wholeness in nature (physis)’. ‘Humankindness’, 220.28 Strier, Unrepentant Renaissance, 50. Kelly Lehtonen argues that Shakespeare ‘violently shatters the philosophical opposition between passion and reason’ associated with Renaissance Neo-Stoic thinkers. ‘Intelligence of Negative Passion’, 261.29 Sherman, ‘Shakespeare’s Embodied Stoicism’.30 Heidegger, Being and Time, 185. Heidegger is citing Seneca, Letter 124.31 Being and Time, 181–3; 185.32 See commentary by Dressler, Personification and the Feminine, 35.33 Benner and Chelsea, Expertise in Nursing Practice, 19.34 Sharp, Midwives Book, 237–8.35 On the dramatic character of the epistles as the portrait of a philosophical friendship, see Schafer, ‘Seneca’s Epistulae Morales’.36 Elton locates the commonplace in classical as well as Jewish and Christian writings and argues that ‘Edgar’s remark has a demonstrable Stoic sense’. King Lear and the Gods, 101–3. Richard Strier notes that both Gloucester’s death wish and the ‘gentle’ death that he ultimately undergoes fit within the Senecan paradigm. Unrepentant Renaissance 50–2. Citing this line, Sidney Shankar calls King Lear ‘the apogee of Shakespeare’s Stoicism’, Shakespeare and the Uses of Ideology, 104.37 Pierre Hadot writes that Marcus Aurelius ‘used writing as a technique or procedure in order to influence himself, and to transform his inner discourse by meditating on the Stoic dogmas and rules of life’. Inner Citadel, 51.38 Cited by Foucault, Care of the Self, 50.39 To care is ‘to help that other person come to care for himself, and by becoming responsive to his own need to care to become responsible for his own life’. Mayeroff, On Caring, 13.40 Annie Loui defines the skills of the physical actor: ‘His or her movements are generated by a complex of internal emotional rhythms, kinetic responses to scene partners, and by the content and rhythm of the text’. Physical Actor, 34.41 Lupton, ‘Trust in Theatre’.42 ‘Nursing requires situated cognition in open-ended and underdetermined situations’. Benner and Chelsea, Expertise in Nursing Practice, 413.43 Suparna Roychoudhury calls it ‘both a compassionate therapy and a “theatre of cruelty.”’ Phantasmatic Shakespeare, 130. Simon Palfrey argues that Gloucester ‘will leap not into forgetfulness, but into memory and recognition’. Poor Tom, 169.44 Schleiner, ‘Justifying the Unjustifiable’.45 Thumiger, ‘Therapy of the Word’, 5.46 Adkison, ‘Voice, Virtue, Veritas’.47 Thumiger, ‘Therapy of the Word’, 12. On Galen and Stoicism, see Gill, Naturalistic Psychology; and Tieleman, ‘Wisdom and Emotion’.48 Seneca, Natural Questions, 3.137–8.49 Cicero, Republic, 89.50 On taskscapes, see Ingold, ‘Temporality of the Landscape’.51 Strier, Unrepentant Renaissance, 133.52 ‘This virtuoso instance of the emptiness of persuasive speech occurs at the cliffs of Dover’. Zitner, ‘King Lear and Its Language’, 30.53 Murdoch, Metaphysics, 120. On Shakespeare’s Augustinian rejoinder to classical virtue ethics, see Gray, Shakespeare and the Fall of the Roman Republic, 24–7.54 Harrison, ‘John Donne’.55 On prudence as Shakespearean virtue, see Unhae Park Langis, Passion, Prudence, and Virtue.56 Letter 95.44: 386.57 On care and caritas in nursing science, see Watson, Nursing.58 Langis, ‘Humankindness’; Kaufman, ‘Care’, 121.","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":"51 21","pages":"0"},"PeriodicalIF":0.4000,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17450918.2023.2278515","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
引用次数: 0

Abstract

ABSTRACTIn Shakespeare’s late plays, the arts of care push towards sublime horizons of value out of lived ecologies of virtue nourished by global wisdom traditions. To know by nursing is to intuit in and through the intimate tactility of tending to the birth, growth, healing, or dying of another person a sense of purpose and meaning, of telos or goal, yearnings that both sustain and are supported by philosophies, religions, or world views that gain value by being shared with others: ‘What is your study?’KEYWORDS: StoicismSenecaOikeiosisvirtue AcknowledgementMy deep thanks to my partner in spiritual exercise, Unhae Park Langis; to Sheiba Kian Kaufman and Benjamin Parris for pointing me on the track of care; to Miriam Bender, for bibliography and conversations on nursing science; to the two readers and two Special Issue editors of this volume for their generous and helpful readings; and to my physical therapist Dawn Denny and my speech pathologist Teresa Dwight for their care and wisdom.Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 Citations from King Lear are from Kenneth Muir, ed., King Lear.2 Markham, Country Contentments, frontispiece.3 On Cordelia’s virtue ecology, see Sale, ‘Cordelia’s Fire’. For another ecological reading of the passage, see Archer, Turley and Thomas, ‘The Autumn King’, 518–43.4 On Edgar as romance hero, see Beckwith, Shakespeare and the Grammar of Forgiveness, 85–9.5 Murdoch, Metaphysics, 87, 120.6 Ibid., 120–1.7 Parvini, Shakespeare’s Moral Compass, 280–94. On care as a private virtue, see Dolven, ‘Besides Good and Evil’, 12.8 Accessed 29 June 2020. http://www.latin-dictionary.net/definition/15255/cura-curae.9 Heidegger, Being and Time, 184–6; 19; 121, 147; Dreyfuss, Skillful Coping.10 Benner and Chelsea, Expertise in Nursing Practice, 19–20.11 Dreyfus, Dreyfus and Benner, ‘Implications’.12 Parris, Vital Strife, 16.13 Gray, Shakespeare and the Fall of the Roman Republic, 58–9.14 Cicero, De Finibus, 19:62.15 Klein, ‘Stoic Argument’, 160.16 Ibid., 162.17 Martha Nussbaum tracks the medical analogy in ancient philosophy, which aimed to transform ‘the inner world of belief and desire through rational argument’ by managing the emotions in their cognitive and evaluative aspect, as ‘forms of intentional awareness’. Therapy of Desire, 77–8.18 On Stoic epistle as preventative medicine, see Gill, ‘Philosophical Therapy’.19 Foucault, Care of the Self, 44–5.20 Sellars, Routledge Handbook to the Stoic Tradition, 1–2.21 Benjamin Parris emphasises the laboring aspects of care in ‘Life and Labor in the House of Care’, 149–65.22 On the wide domain of virtue before the Enlightenment, see Crocker, Matter of Virtue.23 Allman, ‘Is caring a virtue?’ 467.24 Seneca, ‘Letter 75’, 247.25 Hershinow, Shakespeare and the Truth-Teller, 123–4, 131, 190.26 Langis, ‘Humankindness’; on ancient scepticism and Buddhism, see McEvilley, Shape of Ancient Thought.27 Langis links the passage to global wisdom traditions: ‘“Take physic” is the most compressed expression of the idea familiar in both Eastern (Ayurvedic and Buddhist) and Western (Aristotelian-Galenic) mindbody traditions of seeking wholeness in nature (physis)’. ‘Humankindness’, 220.28 Strier, Unrepentant Renaissance, 50. Kelly Lehtonen argues that Shakespeare ‘violently shatters the philosophical opposition between passion and reason’ associated with Renaissance Neo-Stoic thinkers. ‘Intelligence of Negative Passion’, 261.29 Sherman, ‘Shakespeare’s Embodied Stoicism’.30 Heidegger, Being and Time, 185. Heidegger is citing Seneca, Letter 124.31 Being and Time, 181–3; 185.32 See commentary by Dressler, Personification and the Feminine, 35.33 Benner and Chelsea, Expertise in Nursing Practice, 19.34 Sharp, Midwives Book, 237–8.35 On the dramatic character of the epistles as the portrait of a philosophical friendship, see Schafer, ‘Seneca’s Epistulae Morales’.36 Elton locates the commonplace in classical as well as Jewish and Christian writings and argues that ‘Edgar’s remark has a demonstrable Stoic sense’. King Lear and the Gods, 101–3. Richard Strier notes that both Gloucester’s death wish and the ‘gentle’ death that he ultimately undergoes fit within the Senecan paradigm. Unrepentant Renaissance 50–2. Citing this line, Sidney Shankar calls King Lear ‘the apogee of Shakespeare’s Stoicism’, Shakespeare and the Uses of Ideology, 104.37 Pierre Hadot writes that Marcus Aurelius ‘used writing as a technique or procedure in order to influence himself, and to transform his inner discourse by meditating on the Stoic dogmas and rules of life’. Inner Citadel, 51.38 Cited by Foucault, Care of the Self, 50.39 To care is ‘to help that other person come to care for himself, and by becoming responsive to his own need to care to become responsible for his own life’. Mayeroff, On Caring, 13.40 Annie Loui defines the skills of the physical actor: ‘His or her movements are generated by a complex of internal emotional rhythms, kinetic responses to scene partners, and by the content and rhythm of the text’. Physical Actor, 34.41 Lupton, ‘Trust in Theatre’.42 ‘Nursing requires situated cognition in open-ended and underdetermined situations’. Benner and Chelsea, Expertise in Nursing Practice, 413.43 Suparna Roychoudhury calls it ‘both a compassionate therapy and a “theatre of cruelty.”’ Phantasmatic Shakespeare, 130. Simon Palfrey argues that Gloucester ‘will leap not into forgetfulness, but into memory and recognition’. Poor Tom, 169.44 Schleiner, ‘Justifying the Unjustifiable’.45 Thumiger, ‘Therapy of the Word’, 5.46 Adkison, ‘Voice, Virtue, Veritas’.47 Thumiger, ‘Therapy of the Word’, 12. On Galen and Stoicism, see Gill, Naturalistic Psychology; and Tieleman, ‘Wisdom and Emotion’.48 Seneca, Natural Questions, 3.137–8.49 Cicero, Republic, 89.50 On taskscapes, see Ingold, ‘Temporality of the Landscape’.51 Strier, Unrepentant Renaissance, 133.52 ‘This virtuoso instance of the emptiness of persuasive speech occurs at the cliffs of Dover’. Zitner, ‘King Lear and Its Language’, 30.53 Murdoch, Metaphysics, 120. On Shakespeare’s Augustinian rejoinder to classical virtue ethics, see Gray, Shakespeare and the Fall of the Roman Republic, 24–7.54 Harrison, ‘John Donne’.55 On prudence as Shakespearean virtue, see Unhae Park Langis, Passion, Prudence, and Virtue.56 Letter 95.44: 386.57 On care and caritas in nursing science, see Watson, Nursing.58 Langis, ‘Humankindness’; Kaufman, ‘Care’, 121.
通过护理了解:埃德加和《李尔王》中的护理实践
在莎士比亚的晚期戏剧中,关怀艺术在全球智慧传统滋养下的美德生活生态中推动着崇高的价值视野。通过护理来了解,就是通过对另一个人的出生、成长、康复或死亡的亲密接触,直觉地感受到一种目的感和意义感,一种终极目标或目标,一种既能支撑又能得到哲学、宗教或世界观支持的渴望,这种渴望通过与他人分享而获得价值:“你的研究是什么?”感谢我的精神锻炼伙伴,Unhae Park Langis;感谢谢赫·基恩·考夫曼和本杰明·帕里斯,是你们指引我走上了关怀的道路;Miriam Bender,关于护理科学的参考书目和对话;感谢本卷的两位读者和两位特刊编辑,感谢他们慷慨而有益的阅读;感谢我的物理治疗师道恩·丹尼和语言病理学家特蕾莎·德怀特,感谢他们的关怀和智慧。披露声明作者未报告潜在的利益冲突。注1《李尔王》引证自肯尼斯·缪尔编,《李尔王》2马卡姆,《国家内容》,扉页关于科迪利亚的美德生态,见塞尔的《科迪利亚之火》。关于这段话的另一个生态解读,见阿切尔,特里和托马斯,“秋王”,518-43.4关于埃德加作为浪漫英雄,见贝克威斯,莎士比亚和宽恕的语法,85-9.5默多克,形而上学,87,120.6同上,120-1.7帕尔维尼,莎士比亚的道德指南针,280-94。关于作为一种私人美德的关心,见Dolven,“除了善与恶”,12.8 2020年6月29日访问。http://www.latin-dictionary.net/definition/15255/cura-curae.9海德格尔,《存在与时间》,184-6;19;121年,147年;德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、德莱弗斯、“启示”12Parris, Vital Strife, 16.13 Gray, Shakespeare and the Fall of Roman Republic, 58-9.14 Cicero, De Finibus, 19:62.15 Klein,“Stoic Argument”,160.16同上,162.17 Martha Nussbaum追溯了古代哲学中的医学类比,其目的是通过在认知和评估方面管理情感,将“信念和欲望的内心世界”转变为“有意识意识的形式”。关于斯多葛书信作为预防医学,见吉尔,“哲学治疗”。19福柯,《自我的关怀》,44-5.20 Sellars,《劳特利奇手册》,《斯多葛派传统》,1-2.21 Benjamin Parris在《关怀之家的生活和劳动》中强调了关怀的劳动方面,149-65.22关于启蒙运动前美德的广泛领域,见Crocker,《美德的问题》。467.24塞内加,“第75封信”,247.25赫西诺,莎士比亚和实话讲者,123 - 4,131,190.26兰吉斯,“人性”;关于古代怀疑主义和佛教,参见McEvilley的《古代思想的形态》。27 Langis将这段话与全球智慧传统联系起来:““以物理学为例”是东方(阿育吠陀和佛教)和西方(亚里士多德-盖伦)寻求自然(物理学)整体性的身心传统中所熟悉的思想的最压缩的表达。”《人性》,22028斯特里尔,《不悔改的文艺复兴》,50页。凯利·莱托宁(Kelly Lehtonen)认为,莎士比亚“猛烈地打破了激情与理性之间的哲学对立”,这种对立与文艺复兴时期的新斯多葛派思想家有关。《消极激情的智慧》,261.29谢尔曼,《莎士比亚体现的斯多葛主义》海德格尔,《存在与时间》,185页。海德格尔引用塞内卡的《书信124.31存在与时间》181-3;185.32参见Dressler的评论,人格化和女性,35.33 Benner和Chelsea,护理实践的专业知识,19.34 Sharp,助产士书,237-8.35关于书信的戏剧性特征作为哲学友谊的肖像,参见Schafer,“Seneca的Epistulae Morales”。36埃尔顿在古典以及犹太教和基督教著作中找到了司空见惯的东西,并认为“埃德加的评论有一种明显的斯多葛派的感觉”。《李尔王与众神》,101-3。理查德·斯特里尔指出,格洛斯特的死亡愿望和他最终经历的“温和”死亡都符合塞内坎范式。不屈不挠的文艺复兴50-2。引用这句话,西德尼·尚卡尔称李尔王为“莎士比亚斯多葛主义的巅峰之作”,莎士比亚和意识形态的使用,104.37皮埃尔·哈多写道,马可·奥勒留“把写作作为一种技巧或程序,以影响自己,并通过沉思斯多葛主义的教条和生活规则来改变他的内心话语”。引自福柯,照顾自我,50.39照顾是“帮助他人来照顾自己,并通过对自己的需要做出反应来照顾自己,从而对自己的生活负责”。《论关怀》,第13页。
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来源期刊
Shakespeare
Shakespeare Multiple-
CiteScore
0.30
自引率
33.30%
发文量
37
期刊介绍: Shakespeare is a major peer-reviewed journal, publishing articles drawn from the best of current international scholarship on the most recent developments in Shakespearean criticism. Its principal aim is to bridge the gap between the disciplines of Shakespeare in Performance Studies and Shakespeare in English Literature and Language. The journal builds on the existing aim of the British Shakespeare Association, to exploit the synergies between academics and performers of Shakespeare.
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