The Transcendental Grounds of Novalis’ Conception of Life as Poetical Work

IF 0.4 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
Maurizio Maria Malimpensa
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Abstract

Abstract The aim of the present paper is to show Novalis’ complete belonging to the history of transcendental philosophy by bringing out the connection between his conception of poetry and the issue of transcendental imagination in Kant and Fichte. Given that solving this problem is the main issue around which Novalisian thought is structured, an attempt is made to consider the writing style adopted by the author as necessary to fulfill this task, and not as an arbitrary rhetorical choice. The connection between poetry and philosophy is then explored in the practical role it has to play among human beings, namely, that of revealing the meaning of the whole reality as a manifestation of the absolute. Thus, life itself is properly displayed by the singular existences as absolute creativity, such as that of poetical creations.
诺瓦利斯诗意人生观的先验依据
本文的目的是通过揭示诺瓦利斯的诗歌概念与康德和费希特的先验想象问题之间的联系,来表明诺瓦利斯完全属于先验哲学史。考虑到解决这个问题是诺瓦利斯思想的主要问题,我们试图将作者采用的写作风格视为完成这一任务所必需的,而不是武断的修辞选择。诗歌与哲学之间的联系是在它在人类中必须发挥的实际作用中进行探索的,即揭示整个现实的意义,作为绝对的表现。因此,生命本身被个别的存在恰当地表现为绝对的创造性,例如诗的创造性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.30
自引率
25.00%
发文量
41
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