Problematyka autonomii dzieła w świetle prywatywnej teorii sztuki

Mateusz Woch
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Abstract

The purpose of this paper is consideration about issues of work of art’s autonomy in regard to its creator and issue of artistic freedom according to privative theory of art connected to Aristotelian-Thomistic philosophy. Presented philosophy of art emphasizes analogical feature of art, and it includes in art’s domain every intentional type of creation in unlike modern tendency to unification arts around idea of beauty whilst distancing from twentieth-century anti-essentialism. The main function of art understood in this way is replenishing privations found by man in the world. The essence of art is realization by creator his concept. From this point of view the aim of whole creation is good of work for itself which leads to recognition of autonomy and self-sufficiency of work of art.
从私人艺术理论看作品的自主性问题
本文的目的是根据与亚里士多德-托马斯主义哲学相联系的艺术剥夺论来思考艺术作品在创作者方面的自主性问题和艺术自由问题。呈现的艺术哲学强调艺术的类比特征,它包括在艺术领域的每一种有意的创作类型,而不像现代倾向于围绕美观念统一艺术,同时远离20世纪的反本质主义。以这种方式理解的艺术的主要功能是补充人类在世界上发现的匮乏。艺术的本质是创作者观念的实现。从这个角度来看,整个创作的目的是为了自己的工作,这导致了对艺术作品的自主性和自给性的承认。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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