Culturally Responsive Assessment in Music Education

Ebru Tuncer-Boon
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引用次数: 0

Abstract

This chapter is constructed on culturally responsive teaching and assessment practices that the author has been involved in during her music teaching experiences with Asian-American children at the Petit String Orchestra and Junior Youth Orchestra at the University of Florida, and African American children in the United States and their violin experiences at Lincoln Elementary. The chapter explores how culturally responsive music-teaching practices and assessments support each other. The chapter discusses and identifies how culturally responsive assessment practices, as implemented in string teaching practices and music classrooms in the United States, enhance learning and emphasize student and culture-driven learning and, more specifically, develops a framework of action for analyzing and understanding culturally responsive teaching and assessment processes. In providing the recent literature and research in cross-cultural psychology, music psychology and cognitive neuroscience, this chapter opens up new ways of understanding differences in human cognitive functions, cross-cultural varieties in musical perceptions, music teaching, learning, and educational achievement.
音乐教育中的文化反应性评价
这一章是建立在文化响应教学和评估实践的基础上的,作者在佛罗里达大学的小弦乐团和青年管弦乐团的亚裔美国儿童的音乐教学经历中,以及在美国林肯小学的非洲裔美国儿童和他们的小提琴经历中参与了这些实践。本章探讨了文化响应音乐教学实践和评估如何相互支持。本章讨论并确定了在美国弦乐教学实践和音乐课堂中实施的文化响应性评估实践如何加强学习并强调学生和文化驱动的学习,更具体地说,开发了一个分析和理解文化响应性教学和评估过程的行动框架。通过提供跨文化心理学、音乐心理学和认知神经科学方面的最新文献和研究,本章开辟了理解人类认知功能差异、音乐感知的跨文化差异、音乐教学、学习和教育成就的新途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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