Inscriptions In Old Norse Literature

Katja Schulz
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引用次数: 1

Abstract

I row so that it makes a difference; I am able to understand both: harp-playing and poems”. on the root and reddened them with her blood and recited spells over them. She walked backwards withershins round the log and spoke over it many powerful formulas. After that she had the log pushed into the sea and made this pronouncement that it was to drift out to Drangey and be a source of every evil to Grettir. retell those feats of their ancestors which had been made popular in the songs of their mother tongue. Adher-ing to the tracks of these verses, as if to some ancient volumes, and following the sense with the true steps of a translator, I have assiduously rendered one poem by another; my chronicle, relying on these aids, should be recognised not as something freshly compiled but as the utter-ance of antiquity; this book is thereby guaranteed to give a faithful understanding of the past, not a frivolous glitter of style. Moreover, how much historical writing might we suppose men of such genius would have published if they had slaked their thirst for composition knowing Latin? Even when they had no acquaintance with the Roman tongue, they were taken by such an urge to transmit their record to posterity that in absence of books they resorted to massive boulders and granite for their pages.
古挪威文学中的铭文
我划船是为了有所作为;我都能听懂:弹竖琴和诗歌。”用她的血染红了它们并对它们念了咒语。她皱着腰绕着圆木向后走,对着圆木讲了许多有力的公式。之后,她让人把圆木推到海里,并宣布它将漂向德拉吉,成为格雷蒂一切罪恶的源泉。复述他们祖先的丰功伟绩,这些丰功伟绩在他们的母语歌曲中广为流传。我依循着这些诗句的轨迹,仿佛依循着某些古老的书卷,循着译者的真实步伐,孜孜不倦地把一首诗翻译成另一首诗;我的编年史是根据这些资料写成的,不应该被认为是新编的东西,而应该被认为是古人的话语;因此,这本书保证忠实地理解过去,而不是浮夸的风格。此外,我们可以设想,如果这样的天才们懂得拉丁文来满足他们对写作的渴望,他们会发表多少历史著作呢?甚至在他们还不懂罗马语的时候,他们就被一种将他们的记录传递给后代的冲动所驱使,以至于在没有书的情况下,他们就用巨大的巨石和花岗岩作为书页。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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