Climate Change in Literature, Television and Film from Norway

Sissel Furuseth, A. Gjelsvik, A. Gürata, Reinhard Hennig, J. Leyda, K. Ritson
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引用次数: 4

Abstract

Environmental and climatic change has become a frequent motif in contemporary Norwegian literature, television and film, and Norway has the worldwide first organization of writers committed to climate action (The Norwegian Writers’ Climate Campaign, founded in 2013). In this article, we argue that Norwegian climate change fiction and related works draw on elements that relate to specific national and/or Nordic cultural, societal and historical features, and that these elements give these works their distinct identity. We focus on four such features: (1) notions of “Nordicity”; (2) an (imagined) intimate connection between Norwegianness and nature, often seen as a typical element of Norwegian national identity; (3) references to Norwegian petroculture (since the Norwegian economy is largely based on the export of fossil fuels) , and (4) an atmosphere of gloom and melancholia in many of the works, which draws on a Nordic tradition of painting and literature, and which also often characterises the genre of Nordic noir.
挪威文学、电视和电影中的气候变化
环境和气候变化已经成为当代挪威文学、电视和电影中频繁出现的主题,挪威拥有世界上第一个致力于气候行动的作家组织(挪威作家气候运动,成立于2013年)。在本文中,我们认为挪威气候变化小说和相关作品借鉴了与特定国家和/或北欧文化、社会和历史特征相关的元素,这些元素赋予了这些作品独特的身份。我们关注四个特征:(1)“北欧”的概念;(2)挪威性与自然之间的(想象中的)密切联系,通常被视为挪威民族认同的典型元素;(3)提到挪威的石油文化(因为挪威的经济很大程度上是基于化石燃料的出口),(4)在许多作品中有一种阴郁和忧郁的气氛,它借鉴了北欧的绘画和文学传统,这也经常是北欧黑色流派的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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