Female Characters in Phaswane Mpe's Welcome to Our Hillbrow and Niq Mhlongo's Dog Eat Dog

Aklilu Dessalegn Zewdu, A. Daniel
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Abstract

This article examines two novels by Phaswane Mpe and Niq Mhlongo, Welcome to Our Hillbrow and Dog Eat Dog, by focusing on how they portray post-apartheid South African women and their experiences during and after the fall of apartheid. Set in the early years of South Africa’s democracy, these novels can be read from a feminist perspective, which offers an opportunity to investigate the condition of black South African women and their struggle in the context of the legacies of apartheid and the persisting male domination. The article employs postcolonial feminism as an approach and studies the two novels comparatively to see how the authors depict South African women in the face of double colonization and how they stand up to it. As the analysis indicates, Mpe and Mhlongo have voiced the plight of South African women through female characters that have continued to carry the burden of the legacy of apartheid and the persistence of patriarchy in the post-apartheid era. They have also demonstrated the resilience of women by featuring characters that reject exploitation and seize the opportunities offered by the newly-democratized nation.
Phaswane Mpe的《Welcome to Our Hillbrow》和Niq Mhlongo的《Dog eating Dog》中的女性角色
本文考察了Phaswane Mpe和Niq Mhlongo的两部小说《欢迎来到我们的Hillbrow》和《狗咬狗》,重点关注它们如何描绘后种族隔离时期的南非妇女以及她们在种族隔离制度崩溃期间和之后的经历。这些小说以南非民主的早期为背景,可以从女权主义的角度来阅读,这为研究南非黑人妇女的状况以及她们在种族隔离遗留和持续的男性统治背景下的斗争提供了一个机会。本文以后殖民女性主义为研究视角,对两部小说进行比较研究,观察两位作者对双重殖民背景下南非女性的描写以及她们的反抗。正如分析所表明的那样,Mpe和mlongo通过女性角色表达了南非妇女的困境,这些女性角色继续承担着种族隔离遗留的负担,以及后种族隔离时代父权制的持续存在。他们还通过塑造拒绝剥削和抓住新民主化国家提供的机会的角色,展示了妇女的韧性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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