Utopianism, History, Freedom and Nature: Shaw’s Theory of “Creative Evolution” in Saint Joan

S. Knapp, Anna Rita Gabellone
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Abstract

This paper aims to investigate some important elements of the thought of George Bernard Shaw, more commonly known as one of the most famous playwrights of the twentieth century. Shaw’s philosophy dwells on the relationship between man and nature and especially the concept of freedom. Among all his works, it was decided here to analyse Saint Joan. In re-imagining the historical Joan as a heroine in a play of ideas, Shaw made use of the known facts about Joan of Arc and Joan’s statements at her trial. Nonetheless, he made changes to emphasize her personal dignity and independence by contrast with the tyranny of institutions. Although he departed from the historical background, whitewashed her adversaries, and condensed episodes in Joan’s biography, he sought to be true to her confidence, courage, integrity, and common sense. His theatrical presentation is, in some respects, at odds with the Preface that accompanies the published play.
乌托邦、历史、自由与自然:萧伯纳在《圣女贞德》中的“创造进化论”
萧伯纳是二十世纪最著名的剧作家之一,本文旨在探讨其思想中的一些重要元素。萧伯纳的哲学关注人与自然的关系,特别是自由的概念。在他所有的作品中,决定在这里分析圣女贞德。在这部思想剧中将历史上的贞德重新想象为女主角时,萧伯纳利用了关于圣女贞德的已知事实和贞德在审判时的陈述。但是,与制度的专制相比,他强调了个人的尊严和独立性。尽管他脱离了历史背景,粉饰她的对手,并在琼的传记中浓缩情节,但他力求真实地展现她的自信、勇气、正直和常识。他的戏剧表演,在某些方面,与出版的剧本的序言不一致。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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