Decoding the Allegory of the ‘Theosophical and Western Eclogue’

P. Cheshire
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Abstract

This chapter addresses what Gilbert intended to represent through the action of his poem. An evidently symbolic young girl, Elmira, is the sole survivor of a shipwreck. Her mother is drowned. Gilbert makes several references to the Eleusinian Mysteries which concern the rebirth of Ceres’ daughter Proserpina. The common mother-daughter theme suggests a parallel interplay between the living and the dead. The ancient mystery cults, and their parallels with the secret rituals associated with Masonic initiation, were of contemporary interest, as can be shown by Thomas Taylor’s Dissertation on the Eleusinian and Bacchic Mysteries, which was based on an exegesis of Aeneas’ descent into the underworld (Aeneid, Book VI). This method of exegesis – which had been used by Neoplatonists to unlock hidden meanings in Homer – provides a possible key to Gilbert’s allegory.
解读“通神论与西方牧歌”的寓言
这一章讨论了吉尔伯特想通过他的诗来表达什么。一个明显具有象征意义的年轻女孩,埃尔米拉,是一场海难的唯一幸存者。她的母亲淹死了。吉尔伯特提到了几处关于刻瑞斯的女儿普罗塞佩娜重生的伊莱乌西尼奥秘。共同的母女主题暗示了生者与死者之间平行的相互作用。古代的神秘崇拜,以及它们与共济会入会的秘密仪式的相似之处,在当代引起了人们的兴趣,正如托马斯·泰勒关于埃涅阿斯和巴契奇之谜的论文所显示的那样,这篇论文是基于对埃涅阿斯坠入地下世界的注释(埃涅阿斯纪,第六册)。这种注释方法——被新柏拉图主义者用来解开荷马史诗中隐藏的含义——为吉尔伯特的寓言提供了可能的钥匙。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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