Queer densities in Garth Greenwell’s What Belongs to You: narrative, memory, corporeality

C. Lloyd
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Abstract

ABSTRACT Much contemporary queer US literature aims at physical and metaphorical density to write against the systematic subjugation and marginalisation of queer lives, the lingering inequalities of LGBTQIA+ people, and the disintegration of alternative spaces and networks. In response to the fragility of safe queer environments in US culture, novels such as Garth Greenwell’s What Belongs to You display density, materiality and compaction. Texts like this utilise and deploy condensed narrative forms, thickening depictions of the personal and cultural memory, as well as a material attention to the body. This article moves away from the dominant mode of temporality that has defined queer studies for some time to think more particularly about memory and its relation to narrative and corporeality. By concentrating on Greenwell’s novel, this article will show how personal memories of emerging gay subjectivities are entwined in broader queer cultural memories.
加思·格林威尔的《属于你的东西》中的怪诞密度:叙事、记忆、肉体
许多当代美国酷儿文学以物质和隐喻的密度为目标,反对酷儿生活的系统性征服和边缘化,反对LGBTQIA+人群持续存在的不平等,反对替代空间和网络的解体。为了回应美国文化中安全的酷儿环境的脆弱性,Garth Greenwell的《属于你的》(What Belongs to You)等小说展现了密度、物质性和紧凑性。像这样的文本利用和部署了浓缩的叙事形式,增加了对个人和文化记忆的描绘,以及对身体的物质关注。这篇文章脱离了一段时间以来定义酷儿研究的时间性的主导模式,更具体地思考记忆及其与叙事和肉体的关系。通过关注格林威尔的小说,本文将展示个人对新兴同性恋主体性的记忆是如何与更广泛的酷儿文化记忆交织在一起的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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