Identity and Transcendence of Urban Bottom Layer in “Kuai-Shou” App
Ting Sun
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引用次数: 0
Abstract
In the article “Cruel Stories of Bottom: Rural China in a Video Social Media” published online, the author describes, with great length, contents about self-torture, eye-catching and crude etc. on “Kuai-Shou”, rendering “cruel and absurd scenes” for us. Under the circumstance, “Kuai-Shou”, a short video social media and its users have been pushed to the centre of public opinion. “Kuai-Shou” seems to have become a place where full of “vulgar perform”, and its users are also labeled “vulgar”. But is that true? This paper use data research and literature analysis to explore the deep problems behind the phenomenon of “Kuai-Shou” app. 1. Kuai-Shou: Rapidly rising short video social media According to iiMedia research, in the ranking of the percentage of active users of China short video app in 2017Q1, “Kuai-Shou” topped the list, with a significant advantage of 7.63 percentage of active users. Kuai-Shou formerly known as “GIF Kuai-Shou”, which was born in March 2011 as a mobile phone app used to make and share GIFs. In October 2013, Kuai-Shou officially decided to make short video social media, since then Kuai-Shou users began to rapid and stable growth. In June 2015, Kuai-Shou users exceeded 100 million, according to official data. After 8 months, the number of users reached 300 million. By this year, the number of Kuai-Shou users has reached 700 million, with more than 100 million daily activity, far more than other any other short video social media. There are several reasons that contribute such rapid growth. First is the development of technology. Since the advent of the Internet, it has expanded rapidly throughout the world. China officially became a member of countries which Internet is full-featured. After twenty years of development, China’s Internet popularity has rapid increased. According to the 43rd China Internet Development Statistics Report released by the China Internet Network Information Center (CNNIC), as of December 2018, the number of Internet users in China reached 829 million, and the Internet popularity reached 59.6%. At the same time, the number of people who own smartphone in China is doubling year by year. The report shows that the scale of China’s mobile netizens has reached 817 million. Short video social media, based on the Internet and smartphones, has also seen its own boom in the past two years. As a pioneer in this industry, Kuai-Shou naturally can also grow quickly. Second is the choice of target audience. At present, most of short video social media users are concentrated in first-tier and secondtier cities, which to a certain extent ignored vast rural areas and a large number of urban fringe community needs. According to the China Statistical Bulletin on National Economic and Social Development in 2018, reported by National Bureau of Statistics, at the end of 2018, the total population of mainland China was 139.538 million, of which 831.37 million were resident in urban areas and 56.401 million were registered in rural areas. The rural populations accounting for 40.42 percent, it can be said that this group has a great development value. Based on the blank point of this market, Kuai-Shou can quickly occupy the rural areas. “Some people interpret the emergence of Kuai-Shou as a kind of hunting for novelty victory, because it contrast to reality strongly generated users’ peeping psychology. Cao, who worked as a product manager at Tencent, says Kuai-Shou is the second Internet product to attract spontaneous contributions from thirdand fourth-tier cities, even rural groups. Too many Internet product products overlooked this part of users at the start.” 2nd International Conference on Humanities Education and Social Sciences (ICHESS 2019) Copyright © 2019, the Authors. Published by Atlantis Press. This is an open access article under the CC BY-NC license (http://creativecommons.org/licenses/by-nc/4.0/). Advances in Social Science, Education and Humanities Research, volume 369
“快手”App中城市底层的身份与超越
在网上发表的文章《底层的残酷故事:视频社交媒体中的中国农村》中,作者用很长的篇幅描述了“快手”上关于自我折磨、抢眼、粗暴等内容,为我们呈现了“残酷荒诞的场景”。在这种情况下,短视频社交媒体“快手”及其用户被推到了舆论的中心。“快手”似乎已经成为一个充斥着“低俗表演”的地方,它的用户也被贴上了“低俗”的标签。但这是真的吗?本文采用数据研究法和文献分析法,探讨“快手”app现象背后的深层次问题。快手:快速崛起的短视频社交媒体根据艾媒研究,在2017年第一季度中国短视频应用活跃用户占比排名中,“快手”以7.63%的活跃用户占比优势位居榜首。快手的前身是“动图快手”,诞生于2011年3月,是一款制作和分享动图的手机应用。2013年10月,快手正式决定做短视频社交媒体,此后快手用户开始快速稳定增长。官方数据显示,2015年6月,快手用户突破1亿。8个月后,用户数达到3亿。截至今年,快手用户数量已达7亿,日活跃度超过1亿,远远超过其他短视频社交媒体。有几个原因促成了如此快速的增长。首先是技术的发展。自从互联网出现以来,它在世界范围内迅速扩展。中国正式成为互联网全面普及国家之一。经过二十年的发展,中国的互联网普及率迅速提高。中国互联网络信息中心(CNNIC)发布的《第43次中国互联网发展统计报告》显示,截至2018年12月,中国网民规模达8.29亿人,互联网普及率达59.6%。与此同时,中国拥有智能手机的人数正在逐年翻倍。报告显示,中国移动网民规模已达8.17亿。基于互联网和智能手机的短视频社交媒体也在过去两年蓬勃发展。作为这个行业的先行者,快手自然也能快速成长。二是目标受众的选择。目前短视频社交媒体用户大多集中在一二线城市,在一定程度上忽略了广大农村地区和大量城市边缘社区的需求。国家统计局发布的《2018年中国国民经济和社会发展统计公报》显示,截至2018年底,中国内地总人口为13953.8万人,其中城镇户籍人口83137万人,农村户籍人口56401万人。农村人口占40.42%,可以说这一群体具有很大的发展价值。基于这一市场的空白点,快手可以迅速占领农村。“有人把快手的出现解释为一种追求新奇胜利的行为,因为它与现实形成了强烈的对比,引发了用户的偷窥心理。曾在腾讯担任产品经理的曹说,快手是第二个吸引三四线城市甚至农村群体自发捐款的互联网产品。太多的互联网产品在一开始就忽视了这部分用户。第二届国际人文教育与社会科学会议(ICHESS 2019)版权所有©2019,作者。亚特兰蒂斯出版社出版。这是一篇基于CC BY-NC许可(http://creativecommons.org/licenses/by-nc/4.0/)的开放获取文章。《社会科学、教育和人文研究进展》,第369卷
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