{"title":"Conclusion","authors":"David G. Pearson","doi":"10.1093/oso/9780197534885.003.0007","DOIUrl":null,"url":null,"abstract":"The 1990s underground punk scene fostered a culture and politics of resistance against and an alternative to the triumphalism of US empire. Evaluating the successes and failures of the 1990s punk renaissance offers lessons for future alternative cultures seeking to use music to foster political change. Involvement in antiracist movements and protests against globalized capitalism, such as the 1999 “Battle in Seattle,” battles over inclusion within the punk scene, the dangers of becoming insular, and struggles over concrete political commitment versus sloganeering or “lifestylism” all highlight the challenges of creating and sustaining a music of rebellion.","PeriodicalId":440570,"journal":{"name":"Rebel Music in the Triumphant Empire","volume":"77 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rebel Music in the Triumphant Empire","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197534885.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The 1990s underground punk scene fostered a culture and politics of resistance against and an alternative to the triumphalism of US empire. Evaluating the successes and failures of the 1990s punk renaissance offers lessons for future alternative cultures seeking to use music to foster political change. Involvement in antiracist movements and protests against globalized capitalism, such as the 1999 “Battle in Seattle,” battles over inclusion within the punk scene, the dangers of becoming insular, and struggles over concrete political commitment versus sloganeering or “lifestylism” all highlight the challenges of creating and sustaining a music of rebellion.
20世纪90年代的地下朋克场景催生了一种反抗美帝国必胜主义的文化和政治,并成为美帝国必胜主义的另一种选择。对20世纪90年代朋克复兴的成败进行评估,可以为未来寻求用音乐促进政治变革的另类文化提供借鉴。参与反种族主义运动和反对全球化资本主义的抗议活动,比如1999年的“西雅图之战”(Battle in Seattle),围绕融入朋克舞台的斗争,变得孤立的危险,以及围绕具体的政治承诺与口号或“生活方式主义”的斗争,都突显了创造和维持一种反叛音乐的挑战。