{"title":"Configuration of the festival process of the arts of illusionism in the dialogues of intercultural interaction","authors":"M. Zhavoronkov","doi":"10.34079/2226-2849-2022-12-23-45-57","DOIUrl":null,"url":null,"abstract":"The article analyzes the specific features of the festival movement of illusion art its impact on sphere of intercultural interaction. The author puts emphasis on the transformational processes of the phenomenon, identifies the problem area of the aforementioned socio-cultural process by means of comparison. The aim of the study is to reveal a clear mechanism in the sequence of functioning of festivals of illusionism to reproduce the independent dynamics in the middle of the country, which provides undoubted prospects of socio-cultural, economic nature. The study highlights the significance of this process, which incorporates the main modern trends of the art market ащкьштп a common system of both verbal and non-verbal communication around the world. The methodological bases of the study are historical, hermeneutic and structural-functional. The scientific novelty research is that for the first time in the problematic field of culturology, the paper describes festivals of the art of illusionism. The research methods are: the comparative method, which made it possible to establish the difference between historical phenomena in the festival process of illusionism; the analytical method contributed to the coverage of the specifics and features of festivals of illusion art; the typological method helped to determine the main subtypes of festivals of illusionism and formed the dynamics of this festival movement in the problem field of Ukraine. The article sheds light on the Ukrainian School of Art \"Illusions and Manipulations\" showing its features and role in the integration path to cooperation with the international space of the institute, which provides clear opportunities for cooperation and symbiosis of intercultural exchange through the festival process of illusionism. In conclusion, the author emphasizes that the festival action is a targeted phenomenon, promotes the country's development, creates a number of dialogic systematic intercultural dimension.","PeriodicalId":145949,"journal":{"name":"Bulletin of Mariupol State University Series Philosophy culture studies sociology","volume":"385 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of Mariupol State University Series Philosophy culture studies sociology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34079/2226-2849-2022-12-23-45-57","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article analyzes the specific features of the festival movement of illusion art its impact on sphere of intercultural interaction. The author puts emphasis on the transformational processes of the phenomenon, identifies the problem area of the aforementioned socio-cultural process by means of comparison. The aim of the study is to reveal a clear mechanism in the sequence of functioning of festivals of illusionism to reproduce the independent dynamics in the middle of the country, which provides undoubted prospects of socio-cultural, economic nature. The study highlights the significance of this process, which incorporates the main modern trends of the art market ащкьштп a common system of both verbal and non-verbal communication around the world. The methodological bases of the study are historical, hermeneutic and structural-functional. The scientific novelty research is that for the first time in the problematic field of culturology, the paper describes festivals of the art of illusionism. The research methods are: the comparative method, which made it possible to establish the difference between historical phenomena in the festival process of illusionism; the analytical method contributed to the coverage of the specifics and features of festivals of illusion art; the typological method helped to determine the main subtypes of festivals of illusionism and formed the dynamics of this festival movement in the problem field of Ukraine. The article sheds light on the Ukrainian School of Art "Illusions and Manipulations" showing its features and role in the integration path to cooperation with the international space of the institute, which provides clear opportunities for cooperation and symbiosis of intercultural exchange through the festival process of illusionism. In conclusion, the author emphasizes that the festival action is a targeted phenomenon, promotes the country's development, creates a number of dialogic systematic intercultural dimension.