Configuration of the festival process of the arts of illusionism in the dialogues of intercultural interaction

M. Zhavoronkov
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Abstract

The article analyzes the specific features of the festival movement of illusion art its impact on sphere of intercultural interaction. The author puts emphasis on the transformational processes of the phenomenon, identifies the problem area of the aforementioned socio-cultural process by means of comparison. The aim of the study is to reveal a clear mechanism in the sequence of functioning of festivals of illusionism to reproduce the independent dynamics in the middle of the country, which provides undoubted prospects of socio-cultural, economic nature. The study highlights the significance of this process, which incorporates the main modern trends of the art market ащкьштп a common system of both verbal and non-verbal communication around the world. The methodological bases of the study are historical, hermeneutic and structural-functional. The scientific novelty research is that for the first time in the problematic field of culturology, the paper describes festivals of the art of illusionism. The research methods are: the comparative method, which made it possible to establish the difference between historical phenomena in the festival process of illusionism; the analytical method contributed to the coverage of the specifics and features of festivals of illusion art; the typological method helped to determine the main subtypes of festivals of illusionism and formed the dynamics of this festival movement in the problem field of Ukraine. The article sheds light on the Ukrainian School of Art "Illusions and Manipulations" showing its features and role in the integration path to cooperation with the international space of the institute, which provides clear opportunities for cooperation and symbiosis of intercultural exchange through the festival process of illusionism. In conclusion, the author emphasizes that the festival action is a targeted phenomenon, promotes the country's development, creates a number of dialogic systematic intercultural dimension.
配置节日过程中的幻觉艺术在跨文化互动中的对话
本文分析了错觉艺术节日运动的具体特征及其对跨文化交流领域的影响。作者着重分析了这一现象的转化过程,并通过比较找出了上述社会文化过程的问题所在。本研究的目的是揭示一个清晰的机制,在幻觉节日的功能序列,再现独立的动态在国家中部,这提供了不容置疑的社会文化,经济性质的前景。该研究强调了这一过程的重要性,它融合了艺术市场的主要现代趋势ащкьштп这是一个世界范围内语言和非语言交流的共同系统。该研究的方法论基础是历史的、解释学的和结构-功能的。科学新颖性研究是首次在文化问题的领域中,对幻觉艺术的节日进行描述。研究方法有:比较法,使幻术节日过程中历史现象之间的差异得以确立;这种分析方法有助于对错觉艺术节日的特点和特点的报道;类型学方法有助于确定幻觉主义节日的主要亚型,并在乌克兰的问题领域形成了这个节日运动的动态。本文通过对乌克兰艺术学院“幻觉与操纵”的分析,揭示了其在与学院国际空间合作的整合路径中的特点和作用,通过幻觉主义的节日过程,为跨文化交流的合作与共生提供了明确的机会。最后,作者强调节日活动是一种有针对性的现象,促进了国家的发展,创造了多个对话系统的跨文化维度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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