Content Consumption in Streaming Frenzy Milieu: An Analysis Among College Students in Mysuru

Vagdevi H. S.
{"title":"Content Consumption in Streaming Frenzy Milieu: An Analysis Among College Students in Mysuru","authors":"Vagdevi H. S.","doi":"10.52783/cienceng.v11i1.308","DOIUrl":null,"url":null,"abstract":"Until 2010 when Netflix became a reality no one imagined that a DVD rental company would change the entire consumption pattern upside down (Shantharaju S & Vagdevi H S, 2021).  The culture it created prompted many to follow the suit including  Disney Plus (Disney +), e-commerce tycoon Amazon (Prime), homegrown Alt Balaji, and others. Over-The-Top (OTT) platforms offer everything from the Latin American Narco-history with an addictive dramatic plot, series of belongingness with subjects dealing with nationalism & patriotism, content on sex & lust, to the nauseating portrayal of chauvinism weave an everlasting TV series. Probably, without the infrastructure and user interface, OTT platforms wouldn't have been so popular (Michael Samuel, 2017). With the diverse content and available and affordable technology, thanks to the pandemic there have been a skyrocketing growth of OTT subscribers from 32 million in 2019 to 62 million in 2020 (exchange4media,2020), and still growing strong. The lockdown saw a clear shift from traditional media to OTT platforms (Gupta & Singharia, 2021). Today, India has 40 OTT platforms, and it is one of the fastest-growing OTT markets (PwC Report,2020). With government push to digitization coupled with cheap mobile data, increasing mobile population and most importantly rural penetration of the internet (business insider report, 2021) has all influenced the growth of OTT platforms as well. With two OTT providers in 2012 to 40 plus as of today, the OTT revolution has come a long way in India (NASSCOM, 2020). The induced growth of OTT due to the pandemic has also led to questions on the content that is been viewed on these platforms. A conflict that questions, the content vis-à-vis the crass outright representation of the subjects and their influence. According to industry reports in 2021, students have made the biggest contributions to OTT consumption. It is necessary to understand how these content influences aspects of the individual. Many recent studies (Gupta & Singharia, 2021; Nijahwan & Dahiya, 2021) concentrate the research on emerging consumer consumption patterns and changing behavior and habits. The current research is an empirical study on the growing influence of content among college students in the Mysuru region. The study analyses the psychographic influence of content consumption using a structured questionnaire.","PeriodicalId":214525,"journal":{"name":"Proceeding International Conference on Science and Engineering","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceeding International Conference on Science and Engineering","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52783/cienceng.v11i1.308","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Until 2010 when Netflix became a reality no one imagined that a DVD rental company would change the entire consumption pattern upside down (Shantharaju S & Vagdevi H S, 2021).  The culture it created prompted many to follow the suit including  Disney Plus (Disney +), e-commerce tycoon Amazon (Prime), homegrown Alt Balaji, and others. Over-The-Top (OTT) platforms offer everything from the Latin American Narco-history with an addictive dramatic plot, series of belongingness with subjects dealing with nationalism & patriotism, content on sex & lust, to the nauseating portrayal of chauvinism weave an everlasting TV series. Probably, without the infrastructure and user interface, OTT platforms wouldn't have been so popular (Michael Samuel, 2017). With the diverse content and available and affordable technology, thanks to the pandemic there have been a skyrocketing growth of OTT subscribers from 32 million in 2019 to 62 million in 2020 (exchange4media,2020), and still growing strong. The lockdown saw a clear shift from traditional media to OTT platforms (Gupta & Singharia, 2021). Today, India has 40 OTT platforms, and it is one of the fastest-growing OTT markets (PwC Report,2020). With government push to digitization coupled with cheap mobile data, increasing mobile population and most importantly rural penetration of the internet (business insider report, 2021) has all influenced the growth of OTT platforms as well. With two OTT providers in 2012 to 40 plus as of today, the OTT revolution has come a long way in India (NASSCOM, 2020). The induced growth of OTT due to the pandemic has also led to questions on the content that is been viewed on these platforms. A conflict that questions, the content vis-à-vis the crass outright representation of the subjects and their influence. According to industry reports in 2021, students have made the biggest contributions to OTT consumption. It is necessary to understand how these content influences aspects of the individual. Many recent studies (Gupta & Singharia, 2021; Nijahwan & Dahiya, 2021) concentrate the research on emerging consumer consumption patterns and changing behavior and habits. The current research is an empirical study on the growing influence of content among college students in the Mysuru region. The study analyses the psychographic influence of content consumption using a structured questionnaire.
流媒体狂热环境下的内容消费:对Mysuru大学生的分析
直到2010年,当Netflix成为现实时,没有人想到DVD租赁公司会颠覆整个消费模式(Shantharaju S & Vagdevi H S, 2021)。它创造的文化促使许多人效仿,包括迪士尼+ (Disney +)、电商巨头亚马逊(Amazon)、本土品牌albalaji等。从令人上瘾的戏剧性情节的拉丁美洲毒品史,一系列涉及民族主义和爱国主义的归属,性和欲望的内容,到令人作呕的沙文主义描绘,OTT平台提供了一切,编织了一部永恒的电视剧。如果没有基础设施和用户界面,OTT平台可能不会如此受欢迎(Michael Samuel, 2017)。随着内容的多样化和可用且价格合理的技术,由于大流行,OTT用户从2019年的3200万激增到2020年的6200万(exchange4media,2020),并且仍在强劲增长。封锁期间,媒体从传统媒体明显转向OTT平台(Gupta & Singharia, 2021)。如今,印度拥有40个OTT平台,是增长最快的OTT市场之一(普华永道报告,2020年)。随着政府对数字化的推动,加上廉价的移动数据,移动人口的增加,最重要的是农村互联网的普及(商业内幕报告,2021年),这些都影响了OTT平台的增长。从2012年的两家OTT提供商到今天的40多家,印度的OTT革命已经走过了漫长的道路(NASSCOM, 2020)。疫情引发的OTT增长也引发了对这些平台上观看内容的质疑。这是一场冲突,内容与-à-vis对主题及其影响的粗暴直接的表现。根据2021年的行业报告,学生对OTT消费的贡献最大。有必要了解这些内容如何影响个人的各个方面。许多最近的研究(Gupta & Singharia, 2021;Nijahwan & Dahiya, 2021)集中研究新兴消费者的消费模式和不断变化的行为和习惯。本研究是对内容在Mysuru地区大学生中影响力增长的实证研究。本研究采用结构化问卷分析内容消费对心理的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信