5 The Emotional Landscape of Abelard ’s Planctus David super Saul et Ionatha

Abstract

In Abelard’s Letter 16 addressed to ‘Héloise, sister to be revered in Christ and loved’, he refers to a set of six planctus or laments written in the voices of a number of Old Testament characters The last of these, Planctus 6, in which David laments for Saul and Jonathan, is probably the most famous and is the only one for which a reliable, original music setting survives. The laments are all in the first person and provide a deeply personal reflection on the tragic events which inspired them; they are virtuosic in language and almost shockingly intense in emotional range. This study examines Planctus 6 considering the link between Abelard’s language and the expression of specific emotions and, wherever possible, examines how music serves to intensify that expression.