Impact of Source Panning on a Global Metronome in Rhythmic Networked Music Performance

Robert Hupke, J. Peissig, A. Genovese, Sripathi Sridhar, A. Roginska
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引用次数: 2

Abstract

Achieving synchronicity and tempo stability during a Network Music Performance (NMP) is not straightforward under heavy network latency conditions. Previous work on Global Metronomes has shown that it is possible to provide a universal time-reference signal to the connected nodes of an NMP. This paper illustrates the effects of using a global metronome and signal source-panning on a rhythmic performance. An experiment was conducted to evaluate the objective musical outcome and the subjective impressions of using these elements, applied to several pairs of Djembe percussion duets, under different tempo and latency conditions. The objective analysis in terms of tempo stability and synchrony, conducted from the perspective of an hypothetical audience, suggest that the use of a metronome achieves stability improvements at medium and higher latency levels, while the use of signal panning has been effective in improving the metronome efficiency. Subjective analysis data shows that the use of the metronome becomes challenging for higher delays while it was perceptually non-intrusive for the musicians for lower and medium delays.
在有节奏的网络音乐表演中,源平移对全局节拍器的影响
在严重的网络延迟条件下,在网络音乐表演(NMP)期间实现同步性和节奏稳定性并不容易。先前对全球节拍器的研究表明,为NMP的连接节点提供通用的时间参考信号是可能的。本文说明了使用全局节拍器和信号源规划对节奏表现的影响。在不同的节奏和延迟条件下,对几对Djembe打击二重奏进行了实验,以评估使用这些元素的客观音乐效果和主观印象。从假设听众的角度对节奏稳定性和同步性进行了客观分析,结果表明节拍器的使用在中高潜伏期水平上实现了稳定性的改善,而信号平移的使用则有效地提高了节拍器的效率。主观分析数据表明,节拍器的使用对于较高的延迟变得具有挑战性,而对于较低和中等延迟的音乐家来说,节拍器的使用在感知上是非侵入性的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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