Against the Sociology of the Aesthetic

Nick Zangwill
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引用次数: 9

Abstract

I defend traditional aesthetics against sociological criticism. I argue that “historicist” approaches (a) are not supported by arguments and (b) are intrinsically implausible. Hence the traditional ahistorical philosophical approach to the judgment of taste is justified. Many Marxist, feminist and postmodernist writers either eliminate aesthetic value or reduce it to their favourite political value. Others say that they merely want to give a historical explanation of the culturally local phenomenon of thinking in terms of the aesthetic. As a preliminary, I point out that the conception of the aesthetic these theorists operate with is a straw man. In particular, Kant would have rejected it. I then point out that the empirical evidence does not support their historicist views. Most sociological theorists adduce no evidence, thinking their view obviously correct. Where evidence is adduced (e.g. by Bourdieu), the evidence has little connection with their general historicist conclusions. Lastly, I put pressure on the historicist view, first by appealing to the enormity of the error attributed to ordinary people, and second by appealing to the inevitability of pragmatic inconsistency by those who assert the view. I conclude that traditional philosophical aesthetics was right to be ahistorical.
反对美学社会学
我为传统美学辩护,反对社会学的批评。我认为,“历史决定论”的方法(a)没有论据支持,(b)本质上是不可信的。因此,传统的非历史的哲学方法来判断品味是合理的。许多马克思主义、女权主义和后现代主义作家或消除审美价值,或将其简化为他们喜欢的政治价值。也有人说,他们只是想从美学的角度对思维的文化地方性现象进行历史的解释。首先,我指出这些理论家所运用的美学概念是一个稻草人。特别是,康德会拒绝它。然后我指出,经验证据并不支持他们的历史主义观点。大多数社会学理论家不举出证据,认为他们的观点显然是正确的。在引用证据的地方(例如布迪厄),这些证据与他们的一般历史主义结论几乎没有联系。最后,我对历史决定论的观点施加了压力,首先是通过呼吁将错误归咎于普通人的严重性,其次是通过呼吁那些主张这种观点的人的务实不一致的必然性。我的结论是,传统的哲学美学是非历史的。
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