Reclaiming Competitive Tango

Juliet McMains
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引用次数: 1

Abstract

This chapter explores Argentina’s Campeonato Mundial de Baile de Tango (World Tango Dance Championships) in the context of tango’s history in the English-designed ballroom dance competitions that have defined tango’s international image since the “tango-mania” of the early twentieth century. Use of the Mundial by the Argentine government to advance commercial and national branding agendas is examined in conjunction with the Mundial’s use by dancers to launch careers and expand acceptance of same-sex dancing. It is argued that Argentines are redefining tango competition on their own terms in ways that both reclaim the dance from foreigners and simultaneously reproduce some of the same aesthetic shifts that were effected through tango’s inclusion in ballroom dance competitions, resulting in a whiter, more homogenous, and externally focused expression.
重拾竞争的探戈
本章探讨了阿根廷的世界探戈锦标赛(Campeonato Mundial de Baile de Tango)在探戈历史的背景下,英国设计的交际舞比赛自20世纪初的“探戈狂热”以来就定义了探戈的国际形象。阿根廷政府利用Mundial来推进商业和国家品牌议程,同时也审查了舞者利用Mundial来开展事业和扩大对同性舞蹈的接受程度。有人认为,阿根廷人正在以自己的方式重新定义探戈比赛,既从外国人手中夺回了探戈,同时又重现了探戈被纳入交际舞比赛所带来的一些相同的审美转变,从而产生了一种更白人、更同质、更专注于外部的表达。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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