XIII. Interiority and Intersubjectivity in Dostoevsky: The Vasya Shumkov Paradigm

Yuri Corrigan
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Abstract

Indwelling Self/Relational Self Among studies of Dostoevsky’s conception of personality, two largely incompatible and equally influential schools of thought can be discerned. On the one hand, Dostoevsky has been read as a neo-Romantic “expressivist” who situated the roots of the personality, and of the world itself, in the inexhaustible depths of the “human soul.”1 The elder Zosima’s teaching in The Brothers Karamazov on the organic nature of the personality whose roots “touch other worlds” provides a vivid illustration of this view: Zosima describes our “secret innermost sensation” of a “connection with . . . a celestial and higher world,” and our sense that “the roots of our thoughts and feelings are not here, but in those other worlds” (PSS, 14:291).2 It was in this mystical Romantic vein that Vladimir Solovyov
十三。陀思妥耶夫斯基的内在性与主体间性:Vasya Shumkov范式
在对陀思妥耶夫斯基的人格概念的研究中,可以看出两个基本上互不相容但同样有影响力的思想流派。一方面,陀思妥耶夫斯基被解读为新浪漫主义的“表现主义者”,他将人格和世界本身的根源置于“人类灵魂”的无穷无尽的深处。老佐西马在《卡拉马佐夫兄弟》中关于人格的有机本质的教导,其根源“触及其他世界”,为这种观点提供了生动的例证:佐西马描述了我们“秘密的内心深处的感觉”,即“与……的联系”。我们的思想和感情的根源不在这里,而在另一个世界”(PSS, 14:29)弗拉基米尔·索洛维约夫正是本着这种神秘浪漫的精神
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