After Representation: Science Studies in the Performative Idiom

A. Pickering
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引用次数: 47

Abstract

Studies of science are usually addressed in a representational idiom which takes it for granted that the defining characteristic of science is its production of representations of nature. Here I advocate the move to a performative idiom which thematises the agency of machines and human beings. This move leads to a temporally emergent and posthumanist analysis of scientific culture and practice, and promises an antidisciplinary synthesis of the science-studies disciplines, spanning an impure sociology of science, a displacement of the traditional philosophical problematics of realism and incommensurability, and a historiography of science centered on performative intertwinings of science, technology and society.
再现之后:表演成语的科学研究
科学研究通常以表征的方式进行,这种方式理所当然地认为科学的定义特征是它对自然的表征的产生。在这里,我主张转向一种以机器和人类的代理为主题的表演性成语。这一举动导致了对科学文化和实践的临时涌现和后人文主义分析,并承诺了科学研究学科的反学科综合,跨越了不纯粹的科学社会学,取代了传统的现实主义和不可通约性的哲学问题,以及以科学、技术和社会的表演交织为中心的科学史学。
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