Bringing Essanay’s “Special Eastern” to Ithaca

B. Lupack
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Abstract

This chapter describes Ted Wharton's brief stay in Ithaca, wherein he shot Football Days at Cornell (1912), the picture that would prove to be a turning point in his career. Convinced that the town would be an ideal location for a full season of summer shooting, he pressed George K. Spoor, cofounder of Essanay, to allow him to establish a temporary Ithaca studio facility. Spoor agreed to authorize the venture, and in May of 1913, Ted returned to Ithaca with the “Special Eastern,” a complete company of some twenty crew members and photoplayers, including the studio's biggest star, Francis X. Bushman, and his frequent leading lady Beverly Bayne. The Hermit of Lonely Gulch was the first of the pictures the “Special Eastern” would produce that season, and it proved to be an excellent start. Other pictures produced that season include Sunlight, For Old Time's Sake, A Woman Scorned, Tony the Fiddler, and Dear Old Girl. The chapter then considers assistant director Archer MacMackin, who—working under Ted's close supervision—kept himself and the company busy throughout the summer with rehearsals and production. The Toll of the Marshes would be the last picture filmed by Ted's Essanay “Special Eastern.” After the company decided against opening a permanent eastern studio, Ted terminated his contractual association with Essanay and moved to Ithaca to form his own independent production company.
把Essanay的“特别东方”带到伊萨卡
本章描述了泰德·沃顿在伊萨卡岛的短暂停留,在那里他拍摄了康奈尔大学的足球日(1912),这张照片将被证明是他职业生涯的转折点。他确信这个小镇是拍摄一整季夏季电影的理想地点,于是他敦促Essanay的联合创始人乔治·k·斯波尔(George K. Spoor)允许他在伊萨卡建立一个临时的摄影棚。斯普尔同意授权这次冒险,1913年5月,泰德带着“特别东方”回到伊萨卡,这是一个由大约20名工作人员和摄影人员组成的公司,包括工作室最大牌的明星弗朗西斯·x·布什曼(Francis X. Bushman)和他经常出演的女主角贝弗利·贝恩(Beverly Bayne)。《孤独峡谷的隐士》是“特别东方”在那个季节制作的第一部影片,它被证明是一个很好的开始。同期制作的其他影片包括《阳光》、《为了旧时光》、《被蔑视的女人》、《小提琴手托尼》和《亲爱的老女孩》。这一章接着讲述了助理导演阿彻·麦克麦金,他在特德的密切监督下工作,整个夏天都在忙于排练和制作。《沼泽之殇》将是泰德·埃萨内“特别东部”拍摄的最后一部电影。在公司决定不在东部开设永久性工作室后,Ted终止了与Essanay的合同,搬到了伊萨卡岛,成立了自己的独立制作公司。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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