Twórcza reinterpretacja mitów narodowych. Próba współodczytania „Trans-Atlantyku” Witolda Gombrowicza i „Małego palca Buddy” Wiktora Pielewina

M. Jaworski
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Abstract

The aim of this paper is to depict significant parallels between the works  of Witold Gombrowicz and Viktor Pelevin within the scope of reinterpreting national myths. In their novels, Trans Atlantic and Buddha’s Little Finger, the writers seem to take account of substantial danger related to fixed, ossified forms of understanding the notions of nation and motherland. Despite visible differences in their styles both novelist stay alert to automatized relationship to any phenomenon and make attempts at provoking the reader to rethink their relationship to the abovementioned terms. The author of the present paper finds these issues crucial and very up-to-date in the post postmodern society and culture, in particular in light of the recent geopolitical changes.
创造性地重新诠释民族神话。尝试合读维托尔德-冈布罗维茨的《跨大西洋》和维克多-佩列文的 "小佛指"
本文的目的是在重新解释民族神话的范围内,描述维托尔德·贡布洛维奇和维克托·佩列文的作品之间的重要相似之处。在他们的小说《跨大西洋》和《佛陀的小指》中,作者们似乎考虑到了与对民族和祖国概念的固定、僵化的理解形式有关的实质性危险。尽管他们的风格有明显的不同,但两位小说家都对与任何现象的自动关系保持警惕,并试图激发读者重新思考他们与上述术语的关系。本论文的作者发现这些问题在后后现代社会和文化中至关重要,并且非常最新,特别是考虑到最近的地缘政治变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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