La danse du détour: A collaborative arts performance with people touched by Minamata disease

Aya Kasai, Philippe Chéhère, Rie Harada, Nonoko Kameyama, J. Salgues
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Abstract

In May 2019, a group of dancers, photographers and local participants gathered in Minamata, Japan, a community affected by industrial mercury pollution since the 1950s. Philippe Chéhère, Julie Salgues and the Minamata Dance Collective conducted a series of dance sessions with citizens, students, dancers and people touched by Minamata disease in various places of significance in Minamata and explored the potential of movement and its transformation in people and the environment. Through choreographic poetry, they explored the site and the story of Minamata involving 180 people, using dance as a modality of encounter and dialogue. The ten-day dance project culminated in a participatory performance at Minamata Memorial. This case study documents the process of participatory arts by interweaving history, photographs and participants’ voices.
与患有水俣病的人合作的艺术表演
2019年5月,一群舞者、摄影师和当地参与者聚集在日本水俣,这是一个自20世纪50年代以来受到工业汞污染影响的社区。Philippe chsamh、Julie Salgues和水俣舞蹈团在水俣不同的重要地点与市民、学生、舞者和受水俣病影响的人进行了一系列舞蹈活动,探索运动的潜力及其在人与环境中的转变。通过编舞诗歌,他们探索了有180人参与的水俣遗址和故事,用舞蹈作为相遇和对话的形式。为期十天的舞蹈项目在水俣纪念馆的参与性表演中达到高潮。这个案例研究通过历史、照片和参与者的声音交织在一起,记录了参与式艺术的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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