Madame Bovary in the Context of Greimas’ “Semiotic Rectangle” Theory

Xueying Ding
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Abstract

Algirdas Julien Greimas (1917–1992) was a famous French structuralist linguist who developed the famous “semiotic rectangle” theory to reveal the rich connections behind complex things. Madame Bovary is one of the masterpieces of the famous French writer Gustave Flaubert (1821–1880), in this novel, the heroine Emma keeps trying to pursue romantic love, but finally chooses to end her life by taking poison due to debt. Based on Grimes’ “semiotic rectangle” theory, this article analyzes character relationships on a structural level in order to fully reveal the surface and deep connotations of the text. The results show that Flaubert criticizes vulgar romanticism and bourgeois characters by establishing several pairs of opposing relationships, and that the fundamental source of the tragedy that led to Emma’s life was the social climate of the time, in which people betrayed each other.
格利马“符号学矩形”理论语境下的《包法利夫人》
Algirdas Greimas(1917-1992)是法国著名的结构主义语言学家,他提出了著名的“符号学矩形”理论,揭示了复杂事物背后的丰富联系。《包法利夫人》是法国著名作家福楼拜(Gustave Flaubert, 1821-1880)的代表作之一,在这部小说中,女主人公艾玛一直在努力追求浪漫的爱情,但最终因为债务选择了服毒结束了自己的生命。本文以格莱姆斯的“符号学矩形”理论为基础,从结构层面分析人物关系,以充分揭示文本的表层和深层内涵。结果表明,福楼拜通过建立几对对立的关系来批判庸俗的浪漫主义和资产阶级人物,而导致艾玛生活的悲剧的根本根源是当时人们相互背叛的社会氛围。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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